[DisciplineAriel performs at OASN1@BH Saturday, August 25, 2012]
Michael Barron on overhead projector. Click image to see Bat Haus photoset.[Performance Elements]:
- Wilson Novitzki improvises on synth and guitar
- Photos shot on camera phones by Paul McLean, performers, Bat Haus owners Natalie Chan & Cody Sullivan, and guests (+ digital enhancements as after effects in some instances) are uploaded to the DisciplineAriel blog in real time, or later, and interlinked in the network of OASN1 sites and portals
- PJM animations for DisciplineAriel are projected and presented on one of the Bat Haus computer monitors, looping
- The overhead projector is utilized for real time old school psychedelic image mixing; Paul initiates the sequence, creating a wall projection, with olive oil, water, Guerra Paint and other water-borne pigments (acrylics) in powder, solid and liquid form, including interference and metallic paints, plus coffee; Michael Barron takes over, and also photo-documents the results
- Wilson invites Adam Caine to sit in on the set; Adam plays guitar
Wilson Novitzki, Adam Caine
[LINKS]:
Overhead projection, iteration 1 [PJM][Narrative]
DisciplineAriel began in early summer 2012 as a "Borderless Art" proposition + mobile media collaboration for Bushwick-based musician and composer Wilson Novitzki and visual artist Paul McLean. The process involved several informal exchanges at Wyckoff-Starr, plus emails, phone calls and a pre-production meeting and 4d demonstration. Web archive links were exchanged and reviewed.
During a two-month European tour with renowned DIY artist R. Stevie Moore, Novitzki composed short electronic and guitar pieces on synthesizer and iPAD. These pieces were uploaded to a Tumblr created for DisciplineAriel by McLean, who added entries featuring "outside" content - from three sources:
- Famed Kauai-based surf guru Ambrose Curry
- The Voyage of the Hippo blog (long-time AFH collaborator Shane Kennedy contributing)
- Anarchivist/revGamer/Novadic transmissions from Bold Jez.
These satellite or context threads also in real time sequences featured neo-epic or -journeyman components and intersecting trajectories. McLean contributed digital still and moving images, as well as photo documentation of "HOME," i.e., Bushwick, the project's point of origin.
The DisciplineAriel performance for Occupational Art School Node 1 at Bat Haus constitutes a "Welcome Home" party for Wilson; a version of "Talking Story;" a prototyping proof for the particular kind of collaboration Novitzi and McLean practice(d); an invitation to further expand the collaboration to include both random and "staged" participation by OASN1 artists [+]
Overhead projection [operator transition phase]
[PHOTO & VIDEO DOCUMENTATION]: Natalie Chan, Cody Sullivan, JenJoy Roybal, Michael Barron, Paul McLean [+]