The Occupy with Art blog provides updates on projects in progress, opinion articles about art-related issues and OWS, useful tools built by artists for the movement, new features on the website, and requests for assistance. To submit a post, contact us at occupywithartNY(at)gmail(dot)com

Saturday
May192012

[revgames] Dandelions on Fire 

[From Alex]:

This is what DHS and police do when they repress free speech and collective liberation:

Friday
May182012

WS2MS: Reading @Occupy Books + Dinner [#M21, 6-8PM]

Monday, May 21, 6-8 PM, stop by for a pop-up night of poetry and prose from OCCUPY BOOKS, the literary heart of the Wall Street to Main Street project at 450 Main Street in Catskill, NY.

Sander Hicks new book, Slingshot to the Juggernaut

Meet the writers at OCCUPY BOOKS for a short reading followed by pay-for-yourself dinner at Wasana’s Thai Restaurant, 336 Main Street.

Rebecca Wolff

The event will be hosted by Fence editor Rebecca Wolff. The reading is headlined by Sander Hicks, author of Slingshot to the Juggernaut: Total Resistance to the Death Machine Means Complete Love of the Truth, just out from Soft Skull Press.

Sam Truitt's Street Mete

Hicks is joined by beloved [Occupy] poet Sparrow, who will present on the power of silence. Sam Truitt will read poems from Vertical Elegies- Street Mete. Rebecca Wolff will share some of her new poetry, as well.

Sparrow, from his 2008 Presidential campaign

This promises to be a wonderful night, occupied by great people, verse, food and fun. Don't miss it!

http://www.facebook.com/events/103822953089752/

Thursday
May172012

WS2MS: Occupy the Landscape

Each alone, each part of another
Your steps shall ring
Shall raise the cloud...
-Patti Smith

Wednesday
May162012

[From Josh]:

Just wanting to share this with everyone.

Tuesday
May152012

Monday
May142012

Infographics on Derivatives (& More) @Demonocracy

[NOTE]: Demon•cracy presents some brilliant data visualization on the threat posed to all of us by the global financial giants, like JP Morgan Chase, who are gambling with complex instruments, like derivatives, that could destroy the world economy, are distorting democratic society in brutal, ugly ways, and necessitating horrible policies like austerity and endless war. Below are a couple of sample graphics + texts (on bank exposure due to derivatives), but click HERE to view the informative - and terrifying - facts.

9 Biggest Banks' Derivative Exposure - $228.72 Trillion


Note the little man standing in front of white house. The little worm next to last football field is a truck with $2 billion dollars.

There is no government in the world that has this kind of money. This is roughly 3 times the entire world economy. The unregulated market presents a massive financial risk. The corruption and immorality of the banks makes the situation worse.

If you don't want to bank with these banks, but want to have access to free ATM's anywhere-- most Credit Unions in USA are in the CO-OP ATM network, where all ATM's are free to any COOP CU member and most support depositing checks. The Credit Unions are like banks, but invest all their profits to give members lower rates and better service. They don't have shareholders to worry about or have derivatives to purchase and sell.

Keep an eye out in the news for "derivative crisis", as the crisis is inevitable with current falling value of most real assets.

Derivative Data Source: ZeroHedge

 

JP MORGAN CHASE


  • JP Morgan Chase has a derivative exposure of $70.151 Trillion dollars.
  • $70 Trillion is roughly the size of the entire world's economy.
  • The $1 Trillion dollar towers are double-stacked @ 930 feet (248 m).



JP Morgan is rumored to hold 50->80% of the copper market, and manipulated the market by massive purchases. JP Morgan (JPM) is also guilty of manipulating the silver market to make billions. In 2010 JP Morgan had 3 perfect trading quarters and only lost money on 8 days. Lawsuits on home foreclosures have been filed against JP Morgan. Aluminum price is manipulated by JP Morgan through large physical ownership of material and creating bottlenecks during transport. JP Morgan was among the banks involved in the seizure of $620 million in assets for alleged fraud linked to derivatives. JP Morgan got $25 billion taxpayer in bailout money. It has no intention of using the money to lend to customers, but instead will use it to drive out competition. The bank is also the largest owner of BP - the oil spill company. During the oil spill the bank said that the oil spill is good for the economy. JP Morgan Chase also received a SECRET $391 billion dollar bailout from the Federal Reserve.

In 2012, JP Morgan (JPM) took a $2 billion loss on "Poorly Executed" Derivative Bets. Click the image above to read about it.

Saturday
May122012

What Is the "Soul of Occupy?" [Draft/BETA][Pt.3-2, 4+5 & Endnotes]

Updated on Sunday, May 13, 2012 at 05:25AM by Registered Commenteradmin

3 continues

Bruce Sterling at the European Graduate School, 2010; Photo ©Hendrick Speck & Paul McLean

>>
An intellectually honest New Aesthetic would have wider horizons than a glitch-hunt. It would manifest a friendlier attitude toward non-artistic creatives and their works. It would be kinder with non-artists, at ease with them, helpful to them, inclusive of them, of service to them. It’s not enough to adopt a grabbier attitude toward the inanimate products of their engineering.

I see some daylight in the general cultural situation. I was happy about the [SXSW] New Aesthetic panel, because it revealed things I had never seen. It was exciting because it touched something new, true and real.

Lysenko speaking at the Kremlin in 1935. Behind him are (left to right) Stanislav Kosior, Anastas Mikoyan, Andrei Andreev and Joseph Stalin.

The arts and sciences are, clearly, almost equally bewildered by their hardware now. The antique culture-rift of C. P. Snow doesn’t make much sense five decades later — not when sciences and the fine arts are getting identical public beatings from Lysenkoist know-nothings. Those abject talking-heads, abandoning charge of their machine-crazed economy.… Come home, artists and scientists; all is forgiven!
<<
- Bruce Sterling, "An Essay on the New Aesthetic" ( http://www.wired.com/beyond_the_beyond/2012/04/an-essay-on-the-new-aesthetic/ )





>>
The Zuccotti Park occupation was a dismal failure. The functioning of Wall Street was not disrupted. Occupy Wall Street never occupied Wall Street. Even Zuccotti Park was “occupied” only with the consent of the mayor of New York City, and it was cleared out the moment he withdrew that consent. In the end, no autonomous space was reclaimed. The effort to remake society by multiplying and weaving together autonomous spaces is back to Square One. Even worse, precious little progress was made during the occupation in articulating and working out what the movement is for, or how to solve the serious social and economic problems we now confront.

In light of these failures, it would be a grave mistake to try to glide unreflectively into a “Phase II” of Occupy Wall Street. It is time to think seriously about what went wrong and why it went wrong, in order not to repeat the mistakes of the past.

Above all, I am concerned here to make clear the difference between “prefigurative politics” in the proper sense of the term and what Graeber uses the term “direct action” to mean: “acting as if you were already free” (see below). In the proper sense of the term, “prefigurative politics” refers to practices that foreshadow and anticipate a different world, a world that does not exist. “Direct action” in Graeber’s sense refers to practices that make believe that this different world already exists in embryo within the existing one. The latter notion is the one that was tested at Zuccotti Park and that failed the test.

pre•fig•u•ra•tion n.
1. The act of representing, suggesting, or imagining in advance.
2. Something that prefigures; a foreshadowing.

make–be•lieve adj.
Imaginary, pretended.

<<
- "The Make-Believe World of David Graeber: Reflections on the Ideology Underlying the Failed Occupation of Zuccotti Park" by Andrew Kliman

Augmented Reality documentation by Mark Skwarek (arOccupyMayDay)

[NOTE]: As I see it, the project of facilitating a new model for artistic enterprise and the phenomenon of Occupy Wall Street can be subjected to a useful mash-up, for considering purpose, application and utility, among other things. The flaws in ideologies that influenced significantly the formation of OWS are worth looking into, and the wave of "What next for Occupy?" exercises are accomplishing this, which is what must first be acknowledged. The first semi-formal evaluation phase of OWS has commenced, almost spontaneously, post-May Day, a direct action that clarifies one of the quandaries faced by Occupy: in the United States, a call for prefigurative direct action emerging from alien cultural envisioning toward manifestation "in the long term" is a doomed proposition.

Click to read more ...

Tuesday
May082012

WS2MS: MAY 12 Weekend Happenings

Tuesday
May082012

URGENT CALL TO ACTION IN SUPPORT OF LIVING THEATER

[From Aaron Burr Society]:

Donate to the Living Theater

Please forward this message to others who can help.

The Living Theatre is currently in danger of losing their space in a dispute with their landlord.


The Living Theatre is the legendary radical theatrical group founded in 1947. The theater has experimented with different theatrical forms, but it was founded on the principles of a circular integration moving street protests > into the theater > back into the streets.

In 1970 the theater went to Brazil, where they were detained by the government. During the detention, Judith Malina's cell mate was disappeared. The theater company was released after an international campaign by artists, political and cultural figures, including Yoko Ono and John Lennon, Marlon Brando, and Jean Paul Sartre, as well as New York City's Mayor Lindsey.  In 2008, President Lula presented Judith the Ordem de Merito, the highest Brazilian cultural honor. The theater has recently participated in Dilma with the current Brazilian president Rousseff's efforts to locate the bodies of the torture victims from the former regime. The Living Theater efforts include helping to organize street performances, in solidarity with OWS, as part of a national campaign for the families of torture victims.



WHY THIS IS IMPORTANT TO OCCUPY WALL STREET

The Threatre's history resonates with themes that are directly related to Occupy Wall Street. In April the Living Theatre offered OWS's art groups a residency. The residency involves Occupy art groups creating videos and live performances at the theater. We were working to develop the process when the the issue with the landlord surfaced. While we continue to work together in planning the collaboration, saving the theater is the key to moving forward.

There have been many interviews and articles about OWS, both internally and externally. However, the ability to develop and refine our collective voice on video and on stage would be powerful and has great potential. Once this process has been developed and refined, we will invite other non-artistic working groups to participate.

We realize that many cannot afford to contribute, but please forward this call for help to those who can.

Living Theatre history:

Founded in 1947 as an imaginative alternative to the commercial theater by Judith Malina, the German-born student of Erwin Piscator, and Julian Beck, an abstract expressionist painter of the New York School, The Living Theatre has staged nearly a hundred productions performed in eight languages in 28 countries on five continents – a unique body of work that has influenced theater the world over.

During the 1950′s and early 1960′s in New York, The Living Theatre pioneered the unconventional staging of poetic drama – the plays of American writers like Gertrude Stein, William Carlos Williams, Paul Goodman, Kenneth Rexroth and John Ashbery, as well as European writers rarely produced in America, including Cocteau, Lorca, Brecht and Pirandello. Best remembered among these productions, which marked the start of the Off-Broadway movement, were Doctor Faustus Lights the Lights, Tonight We Improvise, Many Loves, The Connection and The Brig.

for more information go to  http://www.livingtheatre.org/

Tuesday
May082012

From Jez: #m8

Sunday
May062012

OCCUPIED REAL ESTATE @EXIT ART

Not An Alternative is pleased to participate in Collective/Performative, the final exhibition of Exit Art’s influential 30 years as a non-profit gallery and cultural center. Please join us May 8th -12th for Occupied Real Estate, an installation and series of workshops.

>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>

Occupied Real Estate
Tuesday May 8 - Saturday May 12
@ Exit Art
475 10th Avenue
New York, New York

...
Installation: 10am-6pm daily

Click to read more ...

Sunday
May062012

Heads up gamers! Week of actions coming up.

Hey radical gamers, as a heads up there is a week of actions coming up soon. Below is the framework. Feel free to plug in. We definitely need some play all over this thing. The final day we take times square so definitely a good opportunity to make some awesome shit happen.

Click to read more ...

Sunday
May062012

OCCUPY THE LANDSCAPE

[CLICK IMAGE ABOVE FOR MORE INFO ON OCCUPY THE LANDSCAPE]

"People have only as much liberty as they have the intelligence to want and the courage to take. - Emma Goldman

Twenty-One Days until OCCUPY THE LANDSCAPE

EVERY STEP WE TAKE TOGETHER COUNTS!

Register Today! [CLICK IMAGE BELOW]

"It takes some strength of soul—and not just individual strength, but collective understanding—to resist this void, this non-being, into which you are thrust, and to stand up, demanding to be seen and heard" - Adrienne Rich

Sunday
May062012

SoO: Intermezzo

OY!

_

BE

... _

Do Not OBEY!

_

Do FREE ART

OCCUPY

[NO]Ø

[BE]01

Friday
May042012

@CUE Art Foundation: Occupy Wall Street with Chris Cobb

 

Occupy Wall Street with Chris Cobb

April 28 - May 5

SHOULD THE ARTS LEAD, FOLLOW, OR GET OUT OF THE WAY?

A week of talks exploring leadership in the arts. Organized by Chris Cobb.

 

Click to read more ...

Thursday
May032012

What Is the "Soul of Occupy?" [Draft/BETA][Pt.3-1, Intermezzo]

By Paul McLean

[Video by Liza Bear]

[Narrative]:

New York City, May 1 2012-- Occupy Guitarmy musicians, led by Tom Morello, play Willie Nile's "One Guitar" before marchikng down Fifth Avenue to Union Square as part of May Day 2012. Filmed by Liza Béar, Squaring Off, Mobile Broadcast News. @owsmusicgroup@nothingofficial

[Morello/Guitarmy photo by Theodore Hamm]

3


I think a lot of the people involved in the globalization movement, myself included, felt this was a continuation of our efforts, because we never really felt the globalization movement had come to an end. We’d smash our heads against the wall every year, saying “Oh yes, this time we’re really back. Oh wait, maybe not.” A lot of us gradually began to lose hope that it was really going to bounce back in the way we always thought we knew it would. And then it happened, as a combination of tactics of trying to create prefigurative models of what a democratic society would be like, as a way of organizing protest or actions that were directed against an obviously undemocratic structure of governance. - "The movement as an end-in-itself?" An interview with David Graeber by Ross Wolfe http://platypus1917.org/2012/01/31/interview-with-david-graeber/

Planning for May 1 in New York began in January in a fourth-floor workspace at 16 Beaver St., about two blocks from Wall Street, [Marisa] Holmes said. The date serves as an international labor day, commemorating a deadly 1886 clash between police and workers in Chicago's Haymarket Square.
- "Banks cooperate to track Occupy protesters" by Max Abelson for Bloomberg [posted at SF Gate, and elsewhere] - http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2012/04/26/BUTK1O9L88.DTL

The worsening of the artificial and coercive debt problem was used as a weapon to attack an entire society. It is proper that we speak here of terms related to the military: we are indeed dealing with a war conducted by means of finance, politics and law, a class war against society as a whole. And the spoils that the financial class wrestles away from the "enemy", are the social benefits and democratic rights, but ultimately it is the very possibility of a human life that is taken. The lives of those who do or do not consume enough in terms of profit maximization strategies, should be no longer be preserved. - Alain Badiou, Jean-Christophe Bailly, Étienne Balibar, Claire Denis, Jean-Luc Nancy, Jacques Ranciere, Avital Ronell. Save the Greeks from their Saviors! February 22, 2012. Translation into English by Drew S. Burk and Anastazia Golemi. http://www.egs.edu/faculty/alain-badiou/articles/save-the-greeks-from-their-saviors/

If so, for the art world to recognize itself as a form of politics is also to recognize itself as something both magical, and a confidence game—a kind of scam. - "The Sadness of Post-Workerism..." by David Graeber


Ethnic Groups of Madagascar



David Graeber in his essay on Post-Workerism develops an argument about art in the section titled "the art world as a form of politics" that every artist associating herself with OWS should read, since Graeber is a self-described "author" and creator of central facets of it, or even the movement itself, if I understood him correctly at a talk I attended at NYU's Hemispheric Institute recently. Graeber's view of art is grim verging on toxic, but also thin as black ice in Madagascar, the island that he made his anthropological bones on, so to speak, and which is always going to be mentioned whenever Graeber talks or writes, it seems.

Madagascar.

Click to read more ...

Wednesday
May022012

ALAN MOORE with Kathy Battista

Art Gangs: Protest & Counterculture in New York City


[NOTE: The interview with Alan Moore was originally published in The Brooklyn Rail (click link below), on the occasion of the publication of his new book (click image above)]

[LINK]

[EXCERPT]:

I thought that creative people in the U.S., especially academics, became excessively timid under eight years of Bush. They could no longer insist on anything. What I always tried to say to folks was “get crusty.” Insist on what you want, because what creative people want is what other folks need. In that sense, I believe in the vanguard idea. Now, with the Occupy movement, people are again in motion toward their dreams. That is so encouraging! So now I think I have less to say to Americans and more to listen to.



Tuesday
May012012

WS2MS Wins AMO Grant Award!

OCCUPY WITH ART is pleased to announce that our project with Greene Arts, "Wall Street to Main Street" is one of the first Art Is My Occupation support grant recipients! Thanks to AMO (Gan, et al.) for your recognition and material assistance, and congratulations to all the other recipients!

Click HERE to see all the winners!

ArtIsMyOccupation

 

Tuesday
May012012

Free Download! OCCUPY Poster

Click the image to download John Malloy's beautiful [& free] Occupy poster

Monday
Apr302012

arOCCUPY May Day

arOCCUPY May Day

Augmented Reality Occupation of Earth May Day 2012!!

The global community is invited to view the augmented reality [AR] occupation of the earth this May 1st.

OCCUPY this upcoming MAY DAY with Augmented Reality! [and plz be active in the real world May Day as well]

Click to read more ...