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The Occupy with Art blog provides updates on projects in progress, opinion articles about art-related issues and OWS, useful tools built by artists for the movement, new features on the website, and requests for assistance. To submit a post, contact us at occupationalartschool(at)gmail(dot)com .

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Thursday
Sep202012

Another Dose of "Withering Ridicule" (for Andrew Sorkin)

 Andrew Sorkin [Photo Credit: (CC) Larry D. Moore]

Another Dose of "Withering Ridicule" (for Andrew Sorkin):

A response to Sorkin's NYT Dealbook post "Occupy Wall Street: A Frenzy That Fizzled"

By Paul McLean

I had gone down to Zuccotti Park to see the activist movement firsthand after getting a call from the chief executive of a major bank last week, before nearly 700 people were arrested over the weekend during a demonstration on the Brooklyn Bridge.

 

“Is this Occupy Wall Street thing a big deal?” the C.E.O. asked me. I didn’t have an answer. “We’re trying to figure out how much we should be worried about all of this,” he continued, clearly concerned. “Is this going to turn into a personal safety problem?”

- Andrew Sorkin, "On Wall Street, a Protest Matures"

 

"Fizzle?" "Frenzy?"

 

One curious effect Occupy Wall Street has on mediocre corporate media writers: OWS seems to induce them to absolve themselves of their consistent incapacity to ever comprehend the movement as such. Andrew Sorkin, who is a New York Times business writer, the inventor of Deal Book, and a gadfly expert for TV talking head shows, is reduced to calling Occupy mean names (a "fad"), critiquing its organizational performance and bragging on behalf of criminal banking syndicates who managed to evade accountability, in spite of OWS protesters. He comes off bitter and confused though.

 

Sorkin is well-educated. He attended an Ivy League school and stuff. Why is he so dumb about Occupy?

 

He writes:

 

By the second or third time I went down to Zuccotti Park, it became clear to me that Occupy Wall Street, which began with a small band of passionate intellectuals, had been hijacked by misfits and vagabonds looking for food and shelter.

 

Given the way the organization — if it can be called that — was purposely open to taking all comers, the assembly lost its sense of purpose as various intramural squabbles emerged about the group’s end game.

 

It feels pointless to parse even these two short paragraphs. Occupy Wall Street isn't a boat or plane or car driven by "a small band of passionate intellectuals" that could be hijacked. Don't hijackers make demands? Occupy refused to do that.

 

"Misfits?" "Vagabonds?" Which Occupy did Sorkin visit once, twice or three times? The one on FOX News? Thank goodness Sorkin didn't find the same terrifying OWS that Michael Gerson of the Washington Post screeched about, which Gerson was able to analyze without even visiting Liberty Square once! Sorkin's befuddled but calm snark wouldn't have survived a minute in Gerson's hellish imaginary Occupy.

 

There's so much wrong with the couple of sentences quated above. They reveal much more about Sorkin than they do about OWS. "Intramural squabbles?" "End Game?" I keep envisioning Lurch of the TV version of The Adams Family, groaning and shaking his head. Occupy Wall Street never was a collegiate thing, although plenty of college students support it, which is not surprising, given the skyrocketing student debt burdens in this country, and dreadful employment outlook. So where did that "intramural" quip come from? And "End Game" just sounds so Think Tank-y. There is an OWS working group called Think Tank. I don't think that's what Sorkin had in mind. He likely has never heard of Occupy's Think Tank.

 

Why should we care about Sorkin's opinion or faux analysis, anyway?

 

Sorkin, according to a report I read, has a net worth in the neighborhood of $10,000,000. By any measurement that situates him in the wealthiest percentile of American citizens. He's a 1%er. Should we expect anything other than what he offers us, which is a perspective that ultimately diminishes the movement opposing his status in society, his class? Sorkin's animus against OWS could be a simple case of self- or class-preservation.

 

I guess one reason to pay attention to Sorkin is that his is no ordinary opinion, even if it's blogged. It's typical of a blogger to use his own vehicle to record and share his thoughts. This is the basic usage of a web log. Sorkin is a blogger. It just happens to be a fact that his blog is attached to the New York Times, America's most prominent newspaper.

 

So, to consider the relevance of Sorkin's view of Occupy, we need to note the context. The NY Times is quite an amplifier for opinion, or can be. That the Times reduces coverage of the most recent OWS protests to a couple of minor or perfunctory reports/blurbs in its blogs [plus an opinion piece (also-OWS negating) by Joe Nocera].   one blurb being Sorkin's hit piece (lite), instead of providing a more in-depth reportage of the Occupy anniversary, is only consistent with the editorial policies the newspaper has applied to the OWS story from its beginnings. The New York Times has in effect done its part, as a member in good standing of the corporate media monopoly, to minimize, marginalize and neutralize Occupy Wall Street, since September 17, 2011.

It needs to be said. OWS has been and continues to be without any question a news story of international interest. No matter how much or little the Times' formidable resources might be devoted to covering it.

 

Sorkin is incorrect in his characterization of corporate media's response to Occupy as a "frenzy," after an initial period of coverage lack. The media, and specifically, the New York Times, through last weekend, has failed to represent the actuality of Occupy as it has unfolded. Numbers of protesters are always underestimated by the Times, for example. Episodes of police brutality against reporters and protesters are rarely explored with any depth at the Times. The civil and legal ramifications of Bloomberg's repression of OWS, the national coordination of occupation evictions, and most importantly, the issues that Occupy has directly confronted are dark matter in the Times' content universe. The NY Times has, if anything and with few exceptions, proved complicit in "managing" the narrative of OWS, which happened, literally, on the paper's doorstep. Sorkin is not exceptional, relative to the Times' crap performance reporting on OWS.

 

Sorkin's essay is a routine Times-propagated prevarication on OWS, mixing outright falsehoods with half-truths and unsorted non-sequitors. The blogger and media pundit poses rhetorical questions and answers them with talking-points of that prove little more than Sorkin's own biases.

 

We occupiers shouldn't take it personally, though. Despite the fact that the fanatic "right" media, which is selectively democratic by nature, to put it nicely, and a savage thresher of American values, to put it more realistically, has used the Times as a whipping boy for years. Let's face it. The Times generally is not anything like a "leftist" organ, in any but a few areas of social discourse, and never has been. That said, we can scan the Times' reporting on the many protest movements active around the world over the past year and more, like the one in Greece, or the one in Spain, or the one in Mexico, and so on. When it comes to people resisting top-down oppression, both political and economic, the Times isn't interested. It's more interested in turning Euro negotiations into drama, for example, than expending word count on human cost or resistance. The Times does like the odd action photo of cops in riot gear, though.

The Times is kind of like Mitt Romney. It knows its constituency, and is making itself answerable to only that constituency, and the Times' constituency does not include the sorts of people who would protest in the streets, whatever the grievance. It's a kind of calculus. To quote from O Brother Where Art Thou, the powerful only need ask, "Is you is, or is you ain't, my constituency?" If you ain't, you SOL. OWS, with regards the Times (and Romney, too) is SOL. 

 

It's helpful to get a clear picture of the paper's position on peaceful citizen or "populist" mass resistance to authoritarian systems and regimes, when thinking about Sorkin and his views. Even though the world's most massive assemblies - ever - against programmatic "Austerity" and other anti-democratic or anti-social policies occurred over the past several months, or depending how one scores it, years, stretching the timeframe to include the anti-Bush/anti-Iraq War demonstrations, or even the anti-IMF outbreaks, the Times has never devoted more time, space, resources, reporters to these stories, as it has to say, fashion, movies and books. Or mergers. Or whatever.

 

Sorkin's not really the big deal here. The Times employs him. The Times gutted its newsroom, and all it has left for analysis of one of the year's major news stories is some snarky brat with a good media appearance portfolio and a book on the 2007 crash that not many outside the corporate media circles in which Sorkin flits considers relevant. Besides, Sorkin has a rep as being overly "cushy" with his subjects. Compare Sorkin to someone like Matt Taibbi for contrast. 

 

The Times, with its totemic heads like Kristof, is more a tool of globalist-extremist Davos, than of any generic-extremist "left." Krugman, of course is the one truth-sayer at the Times I can think of - a shining light. He's the token. Sorkin is just a tool.

 

Turnabout is fair play, Occupiers, and the only thing to do is write off Sorkin and his harangue. Whatever. His tight-assed screed is only a little more subtle than straight-up propaganda. That's what an Ivy League education and a few years on the corporate media treadmill do for shills. It softens the edges of the push-blade. The good news is that few of the 99% read Sorkin, and fewer every day read the Times. 

 

For what it's worth: Sorkin didn't seem all that impressed with the organizational efficiency of the World Economic Forum, either, but the means test for Davos was "networking." Judging from his January 2011* post, he did seem better able to learn about the details of the astonishing monetary burdens attached to attending the gathering at Davos, than he was at assessing what's been happening with Occupy Wall Street. Maybe Sorkin would get a better handle on OWS, if Occupy were reducible to dollars on an expense account, or something like that. Maybe Sorkin could have taken a step back from his assessments of the fees at the WEF to cross-reference those numbers with expenditures by an average American family of five. That would have been the Occupy thing to do.

 

I don't know if Sorkin paid his own way to Davos in 2011, or if the Times picked up the tab, but either way, for a guy worth millions, hobnobbing with the 1% seems to have been more rewarding, pleasant and productive than the exchanges he found during a few short (cheap or free) trips from the Times offices to Liberty Square, based on the resulting texts. At least the trip to Switzerland didn't put Sorkin in the same snarky state of mind Occupy did, for some reason. Maybe Sorkin prefers the Alps to the financial district of Lower Manhattan, when the latter's occupied. I can't recall whether Sorkin wrote anything about the occupation of the most recent WEF.

 

Just for fun, let's juxtapose the two posts, Sorkin's Occupy send-up and the WEF cost-benefit analysis. Or let's frame it as a kind of imagination game, rooted in a conjecture. Is there a difference between WEF and OWS experiences and cost-wise? Did Sorkin note these? Sorkin, during the occupation, could have eaten gratis at the OWS Kitchen, like all the rest of us vagabonds. Or picked out a book to read at the OWS Library. Or joined a teach-in led by one of those passionate intellectuals who shared their ideas and technical know-how with all comers, even misfits. Or offered one: "How to Start a Business Blog at the New York Times." Or Sorkin could have tried to air all his critiques of Occupy at the GA.

 

I would have liked to have seen that. Did it happen? No. Would it have been neat for Sorkin to compose a structural comparison between the WEF and OWS? You betcha! Did it happen? No.

 

Really, Sorkin's tally of what Occupy Wall Street didn't accomplish might be boiled down to one thing. Occupy failed to change this pundit's affiliations. He's going to stick with what and who he perceives to be the winners. He's convinced evidently that his estimates of the potential of OWS to alter the topology of civilization as it has been for ages with few sustaining exceptions - an entrenched set of inequities rooted in extraction and exploitation industries and war machines, coupled to corrupt politicians, protected by militarized police forces, surveillance apparatuses, prison systems and message managers - are correct, and that Occupy ought to be graded poorly on that basis. Sorkin is tied to the money, and time, in the Sorkinian corporato-media-matrix, is money, and so is free speech, and the ultimate bottom line.

 

Time will tell whether Sorkin has chosen wisely. For now, to shift the discussion out of the realm of fairness, or honesty or truth in reporting and/or opinionating, to the realm of spirit, as citizen practicum. Perhaps all Sorkin's gambling with is his democratic soul. Maybe the crux is not his professional credibility. I know, this is the stuff of insoluble speculation.

 

Still, I'm cleaving to the Arendt model, and not the Blankfein or Dimon one. Sorkin opens "A Hefty Price for Entry to Davos" with this line: "What’s the price tag to be a Davos Man?" The question is whether the answer is a dollar figure, or a spiritual, or at least moral, choice. Blankfein, whom Sorkin once called "the man who can do no wrong," and Dimon, are both Davos men. Maybe we could ask them. Maybe one of them was the sphincter-clinching banker who called Sorkin to get the reporter off his ass, out of the office, and down to Zuccotti Park (see Sorkin's first Occupy essay**, quoted above).

 

Instead of waiting for a 1%er to phone him to get his expert take on the threat level posed by Occupy (the impetus for Sorkin's first OWS story) to the super-rich, maybe Sorkin will pause to consult his conscience, first. Do I believe that will happen? No. Is it any of my business? Not really. In times like these, maybe all the time, what a person decides to do when faced with pervasive evil, which is what is now the status quo on Wall Street, is his own affair, ultimately.

 

But, with regards Occupy's impact on the national political scene, all concerns about Sorkin's soul aside... Ask yourself one question: Would Mitt Romney, the ALEC, US Chamber of Commerce, AEI, Koch brother candidate of choice, be on the skids in this election season, if it weren't for OWS? Would Andrew Sorkin and Joe Nocera [or any other pundit] be questioning Romney's serial tax evasion, or his history as on-again/off-again Bain CEO, or his disdain for 47% of Americans? The true answer is NO. Go Occupy! Happy birthday!

 

* http://dealbook.nytimes.com/2011/01/24/a-hefty-price-for-entry-to-davos/

** http://dealbook.nytimes.com/2011/10/03/on-wall-street-a-protest-matures

 

Post-script: Here's a little more background on Sorkin and OWS, courtesy Think Progress (http://thinkprogress.org/media/2011/10/01/333749/andrew-ross-sorkin-sneers-occupy-wall-street/)

 And a great piece on the Times' coverage of the OWS anniversary here at FAIR (Fairness & Accuracy in Reporting): http://www.fair.org/blog/2012/09/18/nyt-buries-occupy-wall-street/

Tuesday
Jun122012

ENOUGH! [BASTA][Draft/BETA][Introduction]

9 Biggest Banks' Derivative Exposure - $228.72 Trillion

ENOUGH! [BASTA][Draft/BETA][Introduction]
By Paul McLean


[NOTE]: The following text is the next installment of the series ENOUGH! - which is being developed as a resource for CO-OP/Occuburbs, an OwA production for Huntington, LI. This draft is open to revision, refinement and is introduced for the purposes of community review. 

Humanity? Yes, it's OK – some great talks, some great arts. Concrete people? No, 99% are boring idiots.

- Slavoj Žižek (http://www.guardian.co.uk/culture/2012/jun/10/slavoj-zizek-humanity-ok-people-boring)

The feeling of humiliation is nothing but the feeling of being an object. Once understood as such, it becomes the basis for a combative lucidity in which the critique of the organization of life cannot be separated from the immediate inception of the project of living differently. Construction can begin only on the foundation of individual despair and its transcendence; the efforts made to disguise this despair and pass it off under another wrapper are proof enough of this, if proof were needed. What is the illusion which stops us seeing the disintegration of values, the ruin of the world, inauthenticity, non-totality?

- Raoul Vaneigem, The Revolution of Everyday Life ("Humiliation," p. 21)

To all those who still wish to talk about man, about his reign or his liberation, to all those who still ask themselves questions about what man is in his essence, to all those who wish to take him as their starting-point in their attempts to reach the truth, to all those who, on the other hand, refer all knowledge back to the truths of man himself, to all those who refuse to formalize without anthropologizing, who refuse to mythologize without demystifying, who refuse to think without immediately thinking that it is man who is thinking, to all these warped and twisted forms of reflection we can answer only with a philosophical laugh - which means, to a certain extent, a silent one.

- Michel Foucault, LES MOTS ET LES CHOSES [Trans., The Order of Things, ("Man and His Doubles," p. 343)]

Why do critics thus periodically proclaim their helplessness or their lack of understanding? It is certainly not out of modesty...All this means in fact that one believes oneself to have such sureness of intelligence that acknowledging an inability to understand calls in question the clarity of the author and not that of one's own mind. One mimics silliness in order to make the public protest in one's favour, and thus carry it along advantageously from complicity in helplessness to complicity in intelligence.

- Roland Barthes, Mythologies ("Blind and Dumb Criticism," p. 34)

Ambrose in his shop.

thank you.

I am a fan of never leaving a stone unturned.

after gluing and shaping three boards

I just couldn't in all concience finish

with glass withoutgetting the weight down.

I've got the band saw. I need to re-split the boards

had I comitted to chambering at the outset,yes,

life would be a whole lot different... and easier.

when I get more wood I will be more coherent.

no greater learning than doing things the hard way.

...ambrose...

now I will check c-list for the beam saw...

- ambrose m.curry III

ENOUGH! [BASTA!]
1
Derivatives
Illusion
Corruption
2
Origins
Truth
Innocence

Watch the whole program HERE.

[INTRODUCTION]:
When art is called "derivative" as a critique, the artwork so labeled is generally not being complemented. The term can migrate and serve as a label for an artist, again, as a pejorative. The critic is usually pointing out where in a vertical hierarchy, usually tied to chronology, an artwork or artist fits on the basis of originality. Anti-originality, keep in mind, has been a darling of the anti-art factions for nearly a century. The "traditional" art world is keen on its own version of "trickle down theory," elevating inventors and innovators to the pinnacles of a creative pyramid schema. It's a fairly pervasive formula for assigning value in crafts, like fashion. Think of the scene in "The Devil Wears Prada," when Meryl Streep's character credits herself with playing a big part in determining the outfit the young heroine of the movie is wearing. Each iteration removed from the original is thought to be corrupted by being so situated, but the architecture is holistically maintained as a given, and relies on the B, C, D+ lines for the legitimacy of the top end. Such is the realm of Style, and it is an appendix of the Courts (the regal ones, not the judicial kind).

Click to read more ...

Monday
May282012

Occufest, Part II: Spread the News

By Christopher Moylan

The contraction of Occupy Wall Street after the police stormed Liberty Square was to be expected, but with the return of longer days and warmer weather something peculiar happened. The movement remained in a dark chill while everyone else walked about in shorts and short sleeves complaining of the unnatural heat. Activists came back to the streets, the energy at demonstrations returned, yet little of this was reported in the news. For all anyone in the greater world knew, Occupy was dead.

To those who took part in the Million Hoodie March or the demonstration against police brutality, it was obvious that this media silence resulted from the collusion of forces more imposing than those of the editorial staff of Eyewitness News or, for that matter, The New York Times.  The police mobilizations at each protest were too large, the disruptions of traffic and business the protesters caused were too widespread and dramatic, the arrests too violent and arbitrary for all this to be too trivial for comment. If thousands marching down Fifth Avenue on a Tuesday evening rush hour could not draw attention, then what would it take?



Perhaps this is the wrong question. For one thing, it is obvious what it would take to grab the attention of corporate news: mass arrests, violence, smashed shop windows and burning cars. If Occupy activists allow the police and their corporate/political sponsors to write the narrative that would discredit the movement, then the narrative would receive plenty of attention. That could happen, but let’s hope it doesn’t.  So, isn’t this the question; if one could write an Occupy-related lead story for The Times, what would it say? Better yet, if it were possible to hold the attention of one disinterested person for a while—half an hour or an hour—what would one say? What would one hope to accomplish?

Click to read more ...

Tuesday
May222012

What Is the "Soul of Occupy?" II [Draft/BETA][Preface]

Updated on Friday, May 25, 2012 at 12:18PM by Registered Commenteradmin

[Video link to US Military propaganda exercise sent by Jez]

What Is the Soul of Occupy?
By Paul McLean

II

Robert Henri: Snow in New York, 1902
Source: Artcyclopedia; photograph by Michael Weinberg  

>>
Do some great work, Son! Don't try to paint *good landscapes*. Try to paint canvases that will show how interesting landscape looks to you - your pleasure in the thing. Wit.

There are lots of people who can make sweet colors, nice tones, nice shapes of landscape, all done in nice broad and intelligent-looking brushwork.

<<

- Robert Henri, The Art Spirit

>>
America is one of the few countries where May Day, the International Workers' Day, is not even a holiday – ironically enough, considering the fact the date was chosen to commemorate events that occurred in Chicago, during the struggle for the 8-hour day in 1886. During the cold war, the idea of unions signing on to a statement like this would have been inconceivable: in the 1960s, unionized workers were known to physically attack Wall Street protestors in the name of patriotic anti-communism. But the collapse of state socialism has made new alliances possible, and, in making common cause with occupiers, and the immigrant groups that first turned May Day into a national day of action in 2006, working-class organizations are also beginning to return to their roots—up to and including, the ideas and visions of the Haymarket martyrs themselves.

[Later, in May, in Chicago]

The words might be diplomatically chosen, but there's no mistaking what tradition is being invoked here. In endorsing a vision of universal equality, of the dissolution of national borders, and democratic self-governing communities, nurses, bus drivers, and construction workers at the heart of America's greatest capitalist metropolis are signing on to the vision, if not the tactics, of revolutionary anarchism.

<<
- David Graeber, "Occupy's Liberation from Liberalism; the real meaning of May Day"


BACK IN TIME

there's such a feeling in my room
it's like i'm in another calendar year

the future seems dreadful
it's obvious to all
the times have changed no more
we are certain to fall

the future seems worthless
society to blame
the price is out of reach
american con-game

there's such a pattern of thought here
it's like i'm just another rock 'n roll fool

i want to go back in time
i want to go back in time

the future seems dismal
for us in mid-thirties
the general opinion
never escapes gerdes

there's such a feeling in my room
it's like i'm in another part of the crowd

the future r.stevie
may well give up the fight
i want to go back in time
i want to go back in time

the future seems dreadful
it's obvious to me
the times have changed no moore
we can certainly see

there's such a lack of emotion
it's like i'm justanotherrock'nrollfool

the future seems dreadful

©1986 r.stevie moore

[PREFACE]: ...Pondering the soul of Occupy, considering art and spirit, reflecting on the "American Spring."

Click to read more ...

Saturday
May122012

What Is the "Soul of Occupy?" [Draft/BETA][Pt.3-2, 4+5 & Endnotes]

Updated on Sunday, May 13, 2012 at 05:25AM by Registered Commenteradmin

3 continues

Bruce Sterling at the European Graduate School, 2010; Photo ©Hendrick Speck & Paul McLean

>>
An intellectually honest New Aesthetic would have wider horizons than a glitch-hunt. It would manifest a friendlier attitude toward non-artistic creatives and their works. It would be kinder with non-artists, at ease with them, helpful to them, inclusive of them, of service to them. It’s not enough to adopt a grabbier attitude toward the inanimate products of their engineering.

I see some daylight in the general cultural situation. I was happy about the [SXSW] New Aesthetic panel, because it revealed things I had never seen. It was exciting because it touched something new, true and real.

Lysenko speaking at the Kremlin in 1935. Behind him are (left to right) Stanislav Kosior, Anastas Mikoyan, Andrei Andreev and Joseph Stalin.

The arts and sciences are, clearly, almost equally bewildered by their hardware now. The antique culture-rift of C. P. Snow doesn’t make much sense five decades later — not when sciences and the fine arts are getting identical public beatings from Lysenkoist know-nothings. Those abject talking-heads, abandoning charge of their machine-crazed economy.… Come home, artists and scientists; all is forgiven!
<<
- Bruce Sterling, "An Essay on the New Aesthetic" ( http://www.wired.com/beyond_the_beyond/2012/04/an-essay-on-the-new-aesthetic/ )





>>
The Zuccotti Park occupation was a dismal failure. The functioning of Wall Street was not disrupted. Occupy Wall Street never occupied Wall Street. Even Zuccotti Park was “occupied” only with the consent of the mayor of New York City, and it was cleared out the moment he withdrew that consent. In the end, no autonomous space was reclaimed. The effort to remake society by multiplying and weaving together autonomous spaces is back to Square One. Even worse, precious little progress was made during the occupation in articulating and working out what the movement is for, or how to solve the serious social and economic problems we now confront.

In light of these failures, it would be a grave mistake to try to glide unreflectively into a “Phase II” of Occupy Wall Street. It is time to think seriously about what went wrong and why it went wrong, in order not to repeat the mistakes of the past.

Above all, I am concerned here to make clear the difference between “prefigurative politics” in the proper sense of the term and what Graeber uses the term “direct action” to mean: “acting as if you were already free” (see below). In the proper sense of the term, “prefigurative politics” refers to practices that foreshadow and anticipate a different world, a world that does not exist. “Direct action” in Graeber’s sense refers to practices that make believe that this different world already exists in embryo within the existing one. The latter notion is the one that was tested at Zuccotti Park and that failed the test.

pre•fig•u•ra•tion n.
1. The act of representing, suggesting, or imagining in advance.
2. Something that prefigures; a foreshadowing.

make–be•lieve adj.
Imaginary, pretended.

<<
- "The Make-Believe World of David Graeber: Reflections on the Ideology Underlying the Failed Occupation of Zuccotti Park" by Andrew Kliman

Augmented Reality documentation by Mark Skwarek (arOccupyMayDay)

[NOTE]: As I see it, the project of facilitating a new model for artistic enterprise and the phenomenon of Occupy Wall Street can be subjected to a useful mash-up, for considering purpose, application and utility, among other things. The flaws in ideologies that influenced significantly the formation of OWS are worth looking into, and the wave of "What next for Occupy?" exercises are accomplishing this, which is what must first be acknowledged. The first semi-formal evaluation phase of OWS has commenced, almost spontaneously, post-May Day, a direct action that clarifies one of the quandaries faced by Occupy: in the United States, a call for prefigurative direct action emerging from alien cultural envisioning toward manifestation "in the long term" is a doomed proposition.

Click to read more ...

Thursday
May032012

What Is the "Soul of Occupy?" [Draft/BETA][Pt.3-1, Intermezzo]

By Paul McLean

[Video by Liza Bear]

[Narrative]:

New York City, May 1 2012-- Occupy Guitarmy musicians, led by Tom Morello, play Willie Nile's "One Guitar" before marchikng down Fifth Avenue to Union Square as part of May Day 2012. Filmed by Liza Béar, Squaring Off, Mobile Broadcast News. @owsmusicgroup@nothingofficial

[Morello/Guitarmy photo by Theodore Hamm]

3


I think a lot of the people involved in the globalization movement, myself included, felt this was a continuation of our efforts, because we never really felt the globalization movement had come to an end. We’d smash our heads against the wall every year, saying “Oh yes, this time we’re really back. Oh wait, maybe not.” A lot of us gradually began to lose hope that it was really going to bounce back in the way we always thought we knew it would. And then it happened, as a combination of tactics of trying to create prefigurative models of what a democratic society would be like, as a way of organizing protest or actions that were directed against an obviously undemocratic structure of governance. - "The movement as an end-in-itself?" An interview with David Graeber by Ross Wolfe http://platypus1917.org/2012/01/31/interview-with-david-graeber/

Planning for May 1 in New York began in January in a fourth-floor workspace at 16 Beaver St., about two blocks from Wall Street, [Marisa] Holmes said. The date serves as an international labor day, commemorating a deadly 1886 clash between police and workers in Chicago's Haymarket Square.
- "Banks cooperate to track Occupy protesters" by Max Abelson for Bloomberg [posted at SF Gate, and elsewhere] - http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2012/04/26/BUTK1O9L88.DTL

The worsening of the artificial and coercive debt problem was used as a weapon to attack an entire society. It is proper that we speak here of terms related to the military: we are indeed dealing with a war conducted by means of finance, politics and law, a class war against society as a whole. And the spoils that the financial class wrestles away from the "enemy", are the social benefits and democratic rights, but ultimately it is the very possibility of a human life that is taken. The lives of those who do or do not consume enough in terms of profit maximization strategies, should be no longer be preserved. - Alain Badiou, Jean-Christophe Bailly, Étienne Balibar, Claire Denis, Jean-Luc Nancy, Jacques Ranciere, Avital Ronell. Save the Greeks from their Saviors! February 22, 2012. Translation into English by Drew S. Burk and Anastazia Golemi. http://www.egs.edu/faculty/alain-badiou/articles/save-the-greeks-from-their-saviors/

If so, for the art world to recognize itself as a form of politics is also to recognize itself as something both magical, and a confidence game—a kind of scam. - "The Sadness of Post-Workerism..." by David Graeber


Ethnic Groups of Madagascar



David Graeber in his essay on Post-Workerism develops an argument about art in the section titled "the art world as a form of politics" that every artist associating herself with OWS should read, since Graeber is a self-described "author" and creator of central facets of it, or even the movement itself, if I understood him correctly at a talk I attended at NYU's Hemispheric Institute recently. Graeber's view of art is grim verging on toxic, but also thin as black ice in Madagascar, the island that he made his anthropological bones on, so to speak, and which is always going to be mentioned whenever Graeber talks or writes, it seems.

Madagascar.

Click to read more ...

Friday
Apr272012

What Is the "Soul of Occupy?" [Draft/BETA][Pt.2]

By Paul McLean

2

MEPHISTOPHOLES: Now we are already again at the end of our wits, where the understanding of you men runs wild. Why didst thou enter into fellowship with us, if thou canst not carry it out? Wilt fly, and art not secure against dizziness? Did we thrust ourselves upon thee. or thou thyself upon us?

FAUST: Gnash not thus thy devouring teeth at me! It fills me with horrible disgust. Mighty, glorious Spirit, who hast vouchsafed to me Thine apparition, who knowest my heart and soul, why fetter me to the felon-comrade, who feeds on mischief and gluts himself with ruin? - FAUST, A Tragedy, by Johann Wolfgang von Goethe


The protesters should beware not only of enemies, but also of false friends who pretend to support them, but are already working hard to dilute the protest. - "Occupy Wall Street: What Is To Be Done... Next?" by Slavoj Žižek 



Žižek, "The Elvis of Cultural Theory," has again weighed in on Occupy, now, and Adbusters celebrates, perceiving the text as a ratification of its alarms. May Day protests are fast approaching, and the mustering of forces against Occupy's foes is in full bloom. I'm really looking forward to the Guitarmy, myself. Who knows what will happen? The organizational problem seems to be defining who are the opposition, and the overarching question is who will answer the call for a general strike. The whole set-up smacks of Faust. The flaws in the stances of both Adbusters and Žižek typify the old Left that both the magazine and the colorful thinker fear.

Click to read more ...

Wednesday
Apr252012

What Is the "Soul of Occupy?" [Draft/BETA][Pt.1]

[Photos of Magic Mountain & Novad actions courtesy Jez Bold]

What Is the "Soul of Occupy?" [Draft/BETA]
By Paul McLean


Now, I have said that the community by means of organisation of machinery will supply the useful things, and that the beautiful things will be made by the individual.  This is not merely necessary, but it is the only possible way by which we can get either the one or the other.  An individual who has to make things for the use of others, and with reference to their wants and their wishes, does not work with interest, and consequently cannot put into his work what is best in him.  Upon the other hand, whenever a community or a powerful section of a community, or a government of any kind, attempts to dictate to the artist what he is to do, Art either entirely vanishes, or becomes stereotyped, or degenerates into a low and ignoble form of craft.  A work of art is the unique result of a unique temperament.  Its beauty comes from the fact that the author is what he is.  It has nothing to do with the fact that other people want what they want.  Indeed, the moment that an artist takes notice of what other people want, and tries to supply the demand, he ceases to be an artist, and becomes a dull or an amusing craftsman, an honest or a dishonest tradesman.  He has no further claim to be considered as an artist.  Art is the most intense mode of Individualism that the world has known.  I am inclined to say that it is the only real mode of Individualism that the world has known.  Crime, which, under certain conditions, may seem to have created Individualism, must take cognisance of other people and interfere with them.  It belongs to the sphere of action.  But alone, without any reference to his neighbours, without any interference, the artist can fashion a beautiful thing; and if he does not do it solely for his own pleasure, he is not an artist at all. - Oscar Wilde, "The Soul of Man"

As a matter of fact, setting aside strictly academic art, artists never fall entirely prey to aesthetic co-optation. Though they may abdicate their immediate experience for the sake of beautiful appearances, all artists (and anyone who tries to live is an artist) are driven by the desire to increase their tribute of dreams to the objective world of others. In this sense they entrust the thing they create with the mission of completing their personal fulfilment within their social group. And in this sense creativity is revolutionary in its essence. - from "The Revolution Of Everyday Life" by Raoul Vaneigem (a new translation from the French by Donald Nicholson-Smith, The Brooklyn Rail, March 2012

It is the "fact" of the physicality of artworks, their necessary existence as objects with their apparent constancy, that in fact highlights the "inconstant," volatile, and transformative event at the core of art. - Krzysztof Ziarek, The Force of Art



1

What is the Soul of Occupy?



Adbusters, the Canadian anti-Capitalist magazine that by accounts issued the call for action which sparked the Occupy Wall Street movement in September of 2011, on April 12th 2012 [1] released another provocative proclamation on its blog,* titled "Battle for the Soul of Occupy." The text was illustrated with a black, red and white banner graphic depicting the ubiquitous Occupy clenched fist and the text "#DEFENDOCCUPY." The call-to-arms was issued by Culture Jammers HQ and encouraged Occupiers to "Jump, jump, jump over the dead body of the old left!" and warned of co-optation of the movement by MoveOn, The Nation magazine and ice cream producers Ben & Jerry, whose influence threatened, in Adbuster's estimate, to "turn our struggle into a '99% Spring' reelection campaign for President Obama."

I don't know about you, reader, but Adbusters' situating Ben & Jerry in a "cabal of old world thinkers who have blunted the possibility of revolution for decades" seems to me a stretch, and certainly doesn't incite any Robespierresque post-Occupy-revolutionary fervor. I sat next to Ben of Ben & Jerry at an organizational meeting for Mark Read's Illuminator, which B & J's ice cream fortune helped bankroll, and Ben Cohen in my view is not a blunter of revolution. He's a food businessman made good, retired, with cash in the bank, who's making an effort to support Occupy strategically, not steal its "Soul." If anything, the conundrum posed to such individuals who are sympathetic to the movement by the movement's schizophrenic response to efforts by "outsiders" to align with OWS is worth examining. [2, 3]

Click to read more ...

Tuesday
Apr172012

Murphy’s Dissent



[Originally published in The Brooklyn Rail, 3.2012]

 
Jason Flores-Williams reads from “Battle of the Open Heart” (Rail, Nov. 2011) at Liberty Square on March 16, 2012. Photo by Zack Garlitos.

[LINK]

[EXCERPT]:

The real crackdown, of course, was at Liberty Square late that Saturday night [3/17/2012]. On dubious grounds, the N.Y.P.D. closed the plaza that is supposed to remain open 24 hours. There were 73 arrests, with some folks treated roughly. The next morning at a Left Forum panel, two students from a New England college told me how they had been detained by cops away from the plaza, and during the course of their grilling, they were asked, “Why do you want to jeopardize your education by coming down here?”

Such is the climate of intimidation towards OWS currently being created by the N.Y.P.D. Consider the threat issued to protesters by the person who is ultimately most accountable for police behavior: “You want to get arrested? We’ll accommodate you,” Mayor Bloomberg vowed, two days after the St. Patrick’s night crackdown. In the end, the mayor’s romance with the First Amendment has proved to be rather ephemeral.

As a wide range of police practices came under fire, during the previous week the mayor seemed most concerned about the folks at Goldman Sachs, whose feelings were hurt by an op-ed written by a turncoat. Meanwhile, at a City Council hearing, Ray Kelly angrily defended his department’s stop-and-frisk policy, which in 2011 saw 684,000 encounters (overwhelmingly with young black and Latino men) yield 8,000 guns, a staggering rate of inefficiency that would be accepted nowhere else in the numbers-obsessed Bloomberg administration.

Sunday
Feb262012

Wall Street to Main Street [Essay for Brooklyn Rail]

Wall Street to Main Street [pre-publication draft]
By Paul McLean

"Americans don’t really think that other places are as real as America." [1]

"It is more and more difficult for us to imagine the real, History, the depth of time, or three-dimensional space, just as before it was difficult, from our real world perspective, to imagine a virtual universe or the fourth dimension [la quatrieme dimension]." [2]

Now Main Street's whitewashed windows and vacant stores
Seems like there ain't nobody wants to come down here no more
- Bruce Springsteen, "My Hometown"


1

In my hometown of Beckley, West Virginia’s downtown, “Main Street” is several streets coursing square-wise through Beckley’s nucleus. One of the streets is Main Street. Downtown for me was an afterschool and weekend destination, and I was willing to draw a few dollars from my dad’s wallet and dodge bands of hellions to get a burger at Fred Yost’s diner, comics and candy at the newsstand, or window-shop for guns and knives at the pawn shop. After I moved away Richard Haas was commissioned to do a trompe l'oeil painting on one side of the Federal building there. Like the Peck Slip one between Front and South streets here. I interviewed Richard once for an art radio program I hosted in Nashville. He talked about artists “looking at the same thing we’re all looking at, but looking at it so differently.”

I would suggest that American artists look at Main Street, the same way you look at a sunset.

Click to read more ...

Wednesday
Feb222012

1st Mission Statement for Arts & Culture [#A30, 2011]

 

[NOTE: This text was referenced during the Space Team screening project at Hyperallergic, "Wall Street Stunts: OWS Arts & Culture Before September 17." We are meeting Tuesday evenings at 7PM, through the end of March. The link to the original is HERE. Thanks to Adrian for research.]

Monday
Feb202012

Low Lives: Occupy! Anti-Art and the Readymade Revolution


by Ashley Sanders

On March 3rd, thousands of people in over ten different countries will point their projectors to occupy building facades, movie screens and bare white walls with transmissions from a performance phenomenon known as Low Lives: Occupy! LL:O! is an artistic celebration of the Occupy movement that uses the medium as its message, pushing the grainy, live-stream, camera-phone-style footage that made Occupy famous to stage a series of simultaneous, real-time performances that interrogate, explore and push the limits of what Occupy means. The pieces will run the gamut from direct action to spectacle, and the audience will be equally diverse and democratic: anyone with an internet connection can gather with any number of people and watch as artists and activists from everywhere stage five minute pieces that blur the line between art, politics, and performance.

Click to read more ...

Sunday
Feb052012

Occupy and the Arts: Curating by Consensus in Lower Manhattan

By Katherine Gressel

Originally published at Createquity, January 25, 2012

[LINK]

"Die-in" at Zuccotti Park, January 14, 2012

[EXCERPT]:

The OWS movement’s inception resulted from a poster call to action by the alternative media organization Adbusters, and as many other writers have noted, arts and culture were nearly inseparable from the core actions of the movement as the encampment at Zuccotti Park grew. Early on, critics like Martha Schwendener in the Village Voice were quick to describe the park occupation itself as “a kind of art object: a living installation or social sculpture,” blurring the lines between art and life. Richard Kim in The Nation described in detail the symbiotic relationship of an Arts and Culture (A&C) working group to various life-sustaining activities in a “culture rich” Liberty Plaza during the occupation’s heyday. A&C subgroups like the Puppetry Guild added a critical visible dimension to rallies and marches, including bringing OWS to the Halloween Parade. Powerful graphic images have helped spread OWS’s message over the social media airwaves.

Wednesday
Feb012012

Spatial Occupation Residency Reading Group Orientation [#f5]

PRESS RELEASE FOR IMMEDIATE RELEASE The Arts & Culture Space Team will be occupying the offices of Hyperallergic from February 1 through the end of March 2012. On Sunday, February 5 at 7PM, the Spatial Occupation Reading Group will convene with an orientation session. [PROPOSITION 1]: At our first meeting, we will ask ourselves to construct a reading program for the two-month residency at Hyperallergic. What are the questions we would like to raise? What texts and printed matter will be in our library that speak to those questions? Our initial focus - aligned with the residency objectives - will be Occupied Space, and the projection of it, its materialization processes, the definitions and realities of space and habitation. How does history affect (or not affect) space, or location? Time? Naming? Do the differences between virtual and actual need to be addressed, or can they co-exist? Who owns “space,” and who owns “occupation” of it? What contingent schemes emerge, once we begin to answer such questions. Is space a fact? Can or does space change? Is occupation the energy that drives such change, and is such change progressive or systematic? Of course, because we are agents of Arts & Culture, these and other considerations and conjectures will be inspected through that particular lens, at least to begin. Because we are OWS, we must articulate our grievances (peacefully), for their redress; & because we are OWS, we must simultaneously investigate ourselves, collectively, individually, expressively. Finally, we can explore what arts best apply to space and occupation, and who and what factors engage to determine the spatial arts of Occupy, in this threshold moment - [an event?].  The “Spatial Occupation” residency at Hyperallergic will generate screenings, a reading group, exhibits, performances, demonstrations, artist talks, workshops, teach-ins and much more over a two-month span. To learn more about the residency, visit the website ( http://spatial-occupation.tumblr.com/ ) or contact the Space Team ( ows-arts-and-culture-spaces@googlegroups.com ). About Hyperallergic: Hyperallergic is a forum for serious, playful and radical thinking about art in the world today. To learn more, visit the website ( http://hyperallergic.com/about/ )  Hyperallergic: 181 N 11th St Brooklyn, NY 11211 Spatial Occupation Reading Group Session 1 [Orientation]: 7PM, Sunday February 5, 2012 ###

PRESS RELEASE

FOR IMMEDIATE RELEASE

The Arts & Culture Space Team will be occupying the offices of Hyperallergic from February 1 through the end of March 2012. On Sunday, February 5 at 7PM, the Spatial Occupation Reading Group will convene with an orientation session.

[PROPOSITION 1]: At our first meeting, we will ask ourselves to construct a reading program for the two-month residency at Hyperallergic. What are the questions we would like to raise? What texts and printed matter will be in our library that speak to those questions? Our initial focus - aligned with the residency objectives - will be Occupied Space, and the projection of it, its materialization processes, the definitions and realities of space and habitation. How does history affect (or not affect) space, or location? Time? Naming? Do the differences between virtual and actual need to be addressed, or can they co-exist? Who owns “space,” and who owns “occupation” of it? What contingent schemes emerge, once we begin to answer such questions. Is space a fact? Can or does space change? Is occupation the energy that drives such change, and is such change progressive or systematic? Of course, because we are agents of Arts & Culture, these and other considerations and conjectures will be inspected through that particular lens, at least to begin. Because we are OWS, we must articulate our grievances (peacefully), for their redress; & because we are OWS, we must simultaneously investigate ourselves, collectively, individually, expressively. Finally, we can explore what arts best apply to space and occupation, and who and what factors engage to determine the spatial arts of Occupy, in this threshold moment - [an event?]. 

The “Spatial Occupation” residency at Hyperallergic will generate screenings, a reading group, exhibits, performances, demonstrations, artist talks, workshops, teach-ins and much more over a two-month span. To learn more about the residency, visit the website ( http://spatial-occupation.tumblr.com/ ) or contact the Space Team ( ows-arts-and-culture-spaces@googlegroups.com ).

About Hyperallergic: Hyperallergic is a forum for serious, playful and radical thinking about art in the world today. To learn more, visit the website ( http://hyperallergic.com/about/ )

Hyperallergic:
181 N 11th St
Brooklyn, NY 11211

Spatial Occupation Reading Group Session 1 [Orientation]: 7PM, Sunday February 5, 2012

###



Sunday
Jan222012

What Next? - Occupy Wall Street at the Crossroads

Image by Paul McLean

Weekend Edition January 20-22, 2012
What Next?

Occupy Wall Street at the Crossroads

by ISMAEL HOSSEIN-ZADEH

Power concedes nothing without a demand

– Frederick Douglass

Occupy Wall Street (OWS), giving vent to the pent up anger of the 99%, has inspired the people in the United States and other parts of the world to expose capitalism for what it is: a profit-driven system that tends to enrich and empower a tiny minority at the expense of everyone else. The movement has successfully shown how the two-party machine of the US politico-electoral system has increasingly become a charade, as the moneyed 1% is essentially in charge of the government. Regardless of its shortcomings and how it would evolve henceforth, the movement’s achievements have already been truly historical, as it signifies an auspicious awakening of the people and a new spirit to fight the injustice.

Despite these glorious achievements, however, OWS does not seem to be growing. The initial excitement and novelty of the movement has dissipated, and the public has become almost indifferent to watching commando-like police raids and evictions of protesters from most of their encampments. Many of its potential allies such as larger numbers of working people seem to be taking a wait-and-see stance toward it.

Click to read more ...

Monday
Jan162012

OwA's Chris Cobb is the Illustration for a Great Essay by Brian Holmes

Chris Cobb for Fake Fox News

Profanity and the Financial Markets
A User’s Guide to Closing the Casino

[Excerpt]:

These are tremendous changes with respect to Keynesian Fordism. But one could go further and show how the cybernetic calculus of finance operates as a coordinating rationality for just-in-time production, distribution and sales. When the G-20 finance ministers strive to forestall a transnational credit crunch, it is this just-in-time system that they are serving. The rhythms of finance have come to govern the entire circulation system of the world economy.16 However, if we want to understand how the social relations of the trading floor have spilled over to reshape contemporary culture – through a “functional overdetermination” of the financial apparatus – then we will have to turn back to the micro level, and look more closely at what actually happens inside the casino.

[LINK]

Wednesday
Jan112012

Thursday
Dec222011

The Occupy Wall Street Review [Dec 16, 2011]

a preliminary glance

[The Following text by Peter Lamborn Wilson, was written out by hand. It was typed by David Levi Strauss and given to the Occupy Wall Street Review for publication and dissemination. The OWS Review will be coming out with its debut issue shortly. But it was Peter’s wishes that the following be made available to Occupiers, to All People, as soon as possible. And so we have taken the pleasure of creating a preliminary glance, which was available as a zine, on the day of action, D17.]

Occupy Wall Street

Act Two

Peter Lamborn Wilson

SOME RADICAL HISTORIANS claim the entire Historical Movement of the Social went wrong in 1870 when the Paris Commune failed to expropriate (or at least destroy) The Bank. Could this really be so?

Since 1971 Bank Power—“Money Interests” as the old-time Populists and Grangers used to say—i.e. the power to create money as debt—has single-handedly destroyed all chances to remake any world closer to our heart’s desire. Some anarchist theorists hold that there can be no real revolution except the revolt against money itself—because money itself WANTS Capitalism (i.e. money) to rule. Money itself will always find a way to subvert democracy (or for that matter any government power that opposes Money’s Interests) and to establish the rule of Capital—i.e. of money itself.

“Alternative currencies” will not cure this situation (as Marx rightly sneered) because real [bad] money will always drive the “good” money out of circulation. Alt. money only “wins” in the scenario where it replaces money entirely. But in that case it will have to simply become money itself (which is protean and can take many forms).

American progressive Populism—like the agrarian Grange or industrial Knights of Labor—knew certain esoteric secrets we should study. They believed the real producers (“labor”) could organize alternative institutions (within the legal system) that could erode the rule of Money and perhaps eventually replace it: producers & consumers cooperatives and labor unions. Money would still be used at first—but not banks—so toxic debt could be avoided. True producers would mutually finance each other (say at 1% interest to cover administrative costs). With “Mutual Banks of the People” plus co-ops they would protect their economic position and advance it thru labor agitation including strikes, boycotts, etc.

“Mutuality” works as a non-State non-central-bureaucratic form of socialism, thus providing no unjust power positions for its administrators. It starts, like Occupy Wall Street, as a consensus-ruled direct democracy (the exact opposite of the Neo-Con freemarket “democracy” of predatory Capital). Revocable delegates are sent to larger regional or other administrative Councils.

Thus success for such a system means NEVER participating in representational or “republican” forms of legislative politics (“keep politics off the Farm” —Grange Songbook). The American Populist movement made the fatal error in 1896 of joining the Democratic Party—and instead of being crucified on a cross of gold, American radicalism was crucified on a cross of silver. [I’m not going to explain this joke; look in the Encyclopedia under “William Jennings Bryan.”]

The only true method of organizing the alternative world of Mutuality is thru voluntary non-State free institutions such as co-ops, mutual banking & insurance, alternative schools, various types of communalism and communitas, sustainable economic ventures (i.e. non-Capitalist businesses) like independent farms and craft ateliers willing to federate with the commons outside the sphere of bank/police/corporation power.

Click to read more ...

Thursday
Dec222011

Occuburbs

Among the most widespread and enduring forms of progressive organization in the suburbs are environmental groups, food co-ops, and politically oriented arts groups and small galleries. These work with the domestic ethos of home and garden rather than against it, and they do a lot of good. They support open space preservation and local farms, particularly organic farms, and establish neighborly micro-economies as alternatives to the mall and highway hegemony.

Much of what the Occupy Wall Street movement advocates in the way of human-scale, participatory, and sustainable social organization already exists amidst the country clubs and ranch houses of the suburbs. It is small in scale and particular organizations tend to struggle with the attrition of a difficult economy and, alongside that, the general drift toward the preoccupied life; people have kids to take care of, things to do. Nonetheless, the alternative economy persists, resistance is fed in the most seductive way by local honey, herbs, cheese, beer and vegetables, and in a more spiritual sense by local art, music, and poetry. Seduction is not revolution, clearly, but it is something not to be scorned.

In thinking about Occupying culture in the suburbs, then, the coop and the alternative arts space came to mind as institutions to enlist. The challenge is to introduce the dynamic of a vanguard social movement, Occupy Wall Street, into these institutions and, beyond that, to determine a format that would best encourage a creative exchange of ideas and approaches among the participants in a given project. This is partly a matter of striking a balance between contributions from local artists and those based outside the area. It wouldn’t do simply to install an exhibition of Occupy-related work from downtown Manhattan in a suburban gallery; this would run the risk of being a show rather than an action. Similarly, one would hope that any event would advance the principles of the movement rather than support or illustrate them.

Occupy Wall Street is inherently transformative; it arose, and continues to arise outside of and in contradistinction to the parameters of party politics, class and social divisions, established forms of mobilization and resistance; it is a profoundly cohesive and inclusive civil rights movement, civil rights understood in terms of economic as well as political enfranchisement. If an expression of art and social activism in the suburbs is to reflect and engage the Occupy movement, it should be internally transformative, not just another cultural event in the suburbs but one that is informed by the questions that have impelled the occupations and street demonstrations worldwide: what does democracy look like? What does art for the ninety-nine per cent look like? Is an occupied suburb possible, an occupied suburban culture and social expression?

Click to read more ...

Sunday
Dec112011

OWS Stories in the Brooklyn Rail, Dec 2011

The 99% Bat Signal: A Cry from the Heart of the World

by Mark Read

Photos by Brandon Neubauer.

BR Ed.’s note: On November 17, a series of projections—including what has come to be known as the “99% Bat-Signal”—flickered on the Verizon Building in Downtown Manhattan (see the YouTube video, “#Occupy Bat-Signal for the 99%”). Tens of thousands of marchers witnessed and interacted with the projections, and many more have watched them online.

Click HERE to read the story at the Brooklyn Rail.


OCCUPY GO ROUND: The Dimensional Nature of the Movement

by [Occupennial co-organizer] Paul McLean

 “BLOOMBERG, BEWARE. ZUCCOTTI PARK IS EVERYWHERE.

—November 17 #OWS chant

Click HERE to read the story at the Brooklyn Rail.