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The Occupy with Art blog provides updates on projects in progress, opinion articles about art-related issues and OWS, useful tools built by artists for the movement, new features on the website, and requests for assistance. To submit a post, contact us at occupationalartschool(at)gmail(dot)com .

Entries in discussion (29)

Friday
Jan202012

16 Beaver Group's Midwinter Retreat

[NOTE: 16 Beaver conducted a forum from January 7-15. Below is an excerpt. To review the propositions, click HERE.]

WELCOME TO THE NEW PARADIGM
or THE CRISIS OF EVERYTHING EVERYWHERE

A midwinter retreat, a modular molecular seminar
with Everyone

[SAMPLE PROGRAM]

Day 3 : Monday (09.01)

__________________________________________

Body Practices : Spatial Politics

"to attack the body is to attack the right itself, since the right is precisely what is exercised by the body on the street"

The use of Bodies and (in) Space have been two critical elements of the emergent political movements of 2011 (eternal?). This day will be dedicated to thinking about the spatial practices which have emerged over the last year. We would like to invite all those interested in these issues to join us. We will begin with a walk that will enter a kind of taxonomy of the sites and practices which have emerged this last Fall. We also hope the walk will also be a way to activate and enter the conversation which will take place in the evening, oriented toward some questions about the role of space and the use of bodies in liberating spaces, reasserting a common right to the city, and potentially blocking the flow of relentless enclosure.

Pt. 1 (walk) 5:30-7:30PM

Meet at 16 Beaver at 5:00

Pt. 2 (discussion) 8PM

Bodies and Spaces Matter: On Spatial Politics, Spatial Practices and the Performativity of Reclaiming the Common(s)

Squares, parks, streets, bridges, ports, banks, factories, offices, campuses, museums, gardens, farms, forests, rivers, atmospheres, houses, apartments, community centers, neighborhoods, zoning districts, cities, towns, villages, camps... No space is ever neutral; every space is governed in some form or another by various combinations of institutional and economic power at local, national, and planetary scales. In some cases, these spatio-political relationships are brutally evident, while in others they may be obscure, illegible, or simply taken for granted in the course of everyday life. From the encampments of Tahrir Square to the foreclosed homes of East New York and beyond, the movements of the past year have brought questions of spatial politics to the forefront of theory and practice, strategy and tactics.

These movements have involved the performative appropriation and transformation of physical spaces--whether officially designated "public," "private" or something in-between-- for common occupation and use. In doing so they have also necessarily raised questions about what Judith Butler, following Hannah Arendt, has recently called "the space of public appearance": who can appear where and when, doing what, and what are the conditions for this appearance? Social media networks and the spaces they create have clearly been one of the necessary enabling conditions for recent movements; but commentators have sometimes overemphasized the latter at the expense of "real" bodies assembling in physical spaces--and the forms of violence to which these assembling bodies have been subjected by police and security forces.

Given the central role bodies in space have played in the encampments and occupation movements, we thought to begin the weeday discussions with a focused inquiry into new uses of space and our bodies in the context of political struggle inside the city.

The evening will include a performative contribution to the debate by Randy Martin.

Among the questions to be explored this Monday include:

-- Does the meaning of "occupation" necessarily involve physical encampment of the sort that took place at Zuccotti Park?
-- What forms of life are prefigured in such occupations, and how might they relate to the transformation of political and economic life at larger scales?
-- What are some emerging spatio-political possibilities for New York as we enter the new year?
-- What have the spatial practices of these last months of occupy and experiments globally brought to the fore in terms of our thinking around the use of space?
--
How do they relate to or differ from the bodily ‘repertoires’ and spatial practices of past social movements?
-- What qualities do we associate with the postures, gestures, bodily movements we see in these movements?
-- How might techniques of physical occupation – including sleeping, eating, and reproducing life in a specific space – be understood as political speech in its own right?
-- How to understand these encampments both as temporarily ‘utopian’ realized places, where new - and more horizontal - sociabilities and redistribution of labor ‘immediately’ occur and also as sites of resistance, highly mediatized and completely surounded by the police? ...........(i don´t like this formulation but... how can we say something of this kind?)
-
- What techniques of resistance and participation are being rehearsed here?
-- What have these processes revealed about the role of our bodies in the space of the city, in the space of political struggle?
--How to address the struggles for and through the use of space and body in light of the force and violence employed by the police body?
-- Is the occupation and liberation of new space in the city critical for sustaining these movements?
-- What kind of small-scale spatial experiments may potentially contribute to longer term goals of the movements?
-- What does it mean to occupy a space (like this), assembling (like this), and moving - or not moving (like this)?
-- What spaces are being contested and which new spaces are being created?
-- What are people fighting for when they struggle for these spaces?
-- How can these bodies -sleeping, eating, occupying … temporarly living there- be understood as signifying or embodying?
-- How is this “being there in person” different from representing …a political party, an agenda, a group of interests?

[REPORT BACKS?]

Friday
Jan202012

The State of the Occupation Address: Where We’ve Gone and What to Expect from Occupy in 2012

0130

Monday, January 30 at 7:00pm

 

A discussion and launch party for the publication of The Declaration of the Occupation of New York City, Second Edition.

Join Dr. Benjamin Chavis, co-founder of Occupy the Dream; Allison Kilkenny, contributor for The Nation  and co-host of Citizen Radio; Malik Rhasaan, co-founder of Occupy the Hood; Rachel Schragis, designer of the Flow Chart of the Declaration of the Occupation, Ryan Devereaux reporter for The Guardian by way of Democracy Now!; with Julie Gueraseva and Andy Stepanian of The Sparrow Project as they discuss where Occupy has taken us, where it can bring us, and what to expect in 2012.

The Declaration of the Occupation of New York City booklet is a collection of the official statements drafted by the New York City General Assembly, a Letter from the Occupiers at Tahrir Square to the Occupiers of Wall Street, and an expanded resource list for occupiers to organize and network with. Taking inspiration from the pamphlet that sparked the Mai 1968 uprisings in Paris, France, the crowd-funded, design-savvy Declaration has already received acclaim from Vanity Fair, Current Television, and other forward-thinking media outlets.

Twenty thousand copies of The Declaration of the Occupation of New York City will be made available for free during the event. Attendees are encouraged to each take a bundle and help distribute them around the city.

Related video http://vimeo.com/32069003.

MORE INFO HERE.

Bookstore Cafe

126 Crosby Street

Map | Directions

Wednesday
Jan042012

OWS events at the Invisible Dog in Brooklyn - Jan 5 to Jan 11, 2012

I want to invite you to a very exciting action at the Invisible Dog
Art Space (51 Bergen St. in Brooklyn). It will be for 7 days, from
January 5th until January 11th. Here's the deal:

Steve Valk, a choreographer and activist from Occupy Frankfurt was
invited to organize a series of performances as part of the PS122 Coil
Festival. He thought it would be a great opportunity to "Occupy" a
performance space, and approached a few of us from Arts and Culture in
early December about a collaboration. Steve is excited about having a
dialogue with with OWS artists, writers, and activists of all kinds,
and a group of about six of us from OWS have collaborated with Steve
to prepare this event. So far, it's looking mighty good.

Click to read more ...

Friday
Dec162011

Arts & Labor Informal Discussion: Thinking Through Collectivity

 

Hanns Eisler Nail Salon

Arts & Labor is a working group founded in conjunction with the New York General Assembly for Occupy Wall Street. We are artists and interns, writers and educators, art handlers and designers, administrators, curators, assistants, and students. We are all art workers and members of the 99%. Arts & Labor is dedicated to exposing and rectifying economic inequalities and exploitative working conditions in our fields through direct action and educational initiatives. By forging coalitions, fighting for fair labor practices, and re-imagining the structures and institutions that frame our work, Arts & Labor aims to achieve parity for every member of the 99%

Arts & Labor Informal Discussion: Thinking Through Collectivity

When: Friday, December 16th, 7:30-9PM

Where: H.E.N.S. (Hanns Eisler Nail Salon Gallery/Solidarity Center)

Southwest Corner of Bergen and 3rd Avenue

Directions: H.E.N.S.  is located 3 blocks from the 2,3,4,5,B,Q,D,M,N,R stop at Atlantic/Pacific Ave. or 4 blocks from the A,C,G train to Hoyt/Schermerhorn. (It is a gallery with glass windows).

PLEASE JOIN ARTS & LABOR FOR AN OPEN, UNSTRUCTURED DISCUSSION at 7:30PM:

What are the challenges of maintaining one’s place in the “real world” vs. striving for the utopian goals of OWS? 

What are the challenges of maintaining the concerns of the singular/particularistic within the framework of the collective embodied in the GA model? 

How is curatorial practice implicated in perpetuating the 1%?

Is the notion of “singular authorship” incompatible with a notion of a politically engaged art activism?

What is the “turning point” at which an artist leaves their studio practice and makes activism their main focus? Is this a false dichotomy? Can studio practice ever be activism? Have we all reached that turning point?

Is it necessary to share our personal histories in order to effectively organize together? How do we define efficacity, and is that our highest goal?

OWS Temporality: because time moves so fast within the landscape of OWS, and within the space of a week an entirely new situation on the ground may transpire, how does this effect our process and thinking within OWS?

The above is but a provisional sampling. To see the full list of questions compiled by Arts and Labor Members, join our discussion list at ows-arts-and-labor@googlegroups.com!

After the informal discussion, join us for a potluck and Holiday Party from 9 to 12AM as we make banners and signs for D17!

Cam-vid by Jim Costanza

Saturday
Nov192011

16 Beaver Teach-Ins, Sunday 11/20/11

Sunday - 11.20.11 -- Two Events -- Two Teach-Ins -- One Horizon

Event I -- Demystifying the Economic Crisis

What: Teach-in / Discussion with Paul Mattick

When: 4pm
Where: moved to 90 5th Avenue
Who: Free and open to all
For details please visit: http://allcitystudentoccupation.com

Some friends will be convening a series of analyses around the economic crisis. This, first in the series, Demystifying the Economic Crisis, will be with Paul Mattick (Adelphi, Philosophy) - author of Business as Usual: The Economic Crisis and the Failure of Capitalism (2011)

To what do we owe the misery and economic hardship currently sweeping the globe, giving birth to a number of social movements including that of Occupy Wall Street? Reckless banks? Human greed? Amoral politicians? Financial speculation? Partial answers at best, bourgeois obscurities at worst. Come join in a discussion which seeks to expand the discourse circulating throughout the current US occupation movement.

Event II -- Art, Work, and Occupation

What: Teach-in / Discussion with Greg Sholette
When: Sunday, 11.20.11 at 7:00PM
Where: 16 Beaver Street, 4th Floor
Who: Free and open to all

The evening's event will be a teach-in and discussion with artist, critic, and educator Gregory Sholette concerning the history of artistic
engagements with the politics of work since the 1960s. While focused on past traditions and initiatives, the presentation will open onto a group discussion of more recent artistic, theoretical and political developments related to concepts such as precarity, post-Fordism, immaterial labor, the cognitariat, and what Greg himself has called "dark matter." This
discussion will consider how these histories and concepts might be (re)activated relative to the Occupy movement, including but not limited to that of New York City as it enters a "post-Zuccotti" phase following the eviction of November 15th. Report-backs and reflections from November 17th actions are more than welcome following Greg's presentation.

Here are some points and questions devised in collaboration between Greg and 16 Beaver for possible discussion following his presentation:

1. What does the phrase "art worker" mean today, and how does it relate to the broader field of cultural labor that is so crucial to driving the uneven geographical development of cities such as New York?

2. In what ways have art and cultural workers more broadly contributed to the discourse and practice of occupation over the past two months? How have they been involved with the framing, staging, and messaging of the overall movement, on the one hand, while also beginning to organize themselves qua workers under the umbrella of "the 99%"?

3. How has the advent of the Occupy movement challenged art workers to recalibrate their relationship to the networks, economies, organizations, and institutions involved with the production and consumption of art and culture in some form of another?

4. What would it mean to "occupy the art world"? Does this question make any sense without a moment of self-recognition in which we see ourselves as a kind of culturally-redundant surplus to the very system that stamps out the professional passport for "artist" in first place? Are these very designations not complicated by the structural dynamics of precarious labor itself, in which many artists simultaneously work as art handlers, assistants, interns, janitors, students, adjuncts, parents, and beyond? How might an interrogation of the identity-card "artist" open up new possibilities of alliance and coalition with workers and activists in extra-artistic fields?

5. What is the ultimate goal of organizing art workers? Is it just about making things more fair by redistributing the art world's "real estate"? or should it not also address a deeper set of questions concerning time, labor, and value relative to the disciplinary imperatives of
neoliberalism? How do we negotiate in ideological and organizational terms the fact that the entrepreneurial models of subjectivity mandated by neoliberalism often appeal to an image of artistic flexibility, autonomy, and ingenuity, as exemplified by Richard Florida's infamous paradigm of the "creative class"? What if any new forms of class consciousness might the Occupy movements entail for workers in the artistic field in
particular and the cultural field more generally?

6. If the work of artists today somehow embodies and models the flexible, precarious, socially cooperative yet competitive, professional, cognitive, immaterial, relational, affective dimensions of the post-fordist worker; then what might an inquiry into the specific conditions or qualities of such a work imply or reveal for contemporary political struggles?

More information about these events: http://www.16beavergroup.org/11.20.11.htm

Thursday
Nov172011

#Occupytheory at Gallatin

The Gallatin Galleries is pleased to announce:
#Occupytheory: A participatory panel event and discussion
...in conjunction with the exhibit This is what democracy looks like

1 Washington Pl, New York, NY 10009 (Broadway and Washington Pl) 
Friday, November 18. 7:30pm-10:30pm


 

Thursday
Nov172011

Occupy Discussion at 3rd Ward

Graphic by Occupy Design

Saturday November 19th, 2011

Imagining a Future // A Discussion about Occupy Wall Street

5:30 pm - 7:30 pm
195 Morgan Avenue, Free

People from across the country and globe are joining the creative community around the Occupy Wall Street Movement, bringing together performers, poets, designers, builders, filmmakers, photographers, and musicians both online and in physical space.

Join us for an evening of discussion and informal presentations from groups helping shape these creative explorations: Occupy Cinema, Occupy Design, the OWS Screenprinting Lab, and more. Hear about their experiences from the field, how they’ve organized their art and performance actions, and discuss the accomplishments and challenges that have emerged within the arts at OWS.

These emergent creative networks are working through new processes to collaborate, critique, and creatively imagine our political and economic future. This event is for anyone would like to ask questions, offer critiques, learn more, or get involved with the creative communities that have mobilized around Occupy Wall Street.

RSVP at www.3rdward.com/rsvp

For more information about the creative responses to OWS, visit http://www.occupennial.org/





Friday
Nov112011

From the Brooklyn Rail

99% - The Occupy Wall Street Collaborative Film
TUESDAY, NOVEMBER 15 AT 7:30 PM
UNION DOCS // 322 UNION AVE. BK, NY
FREE // DONATIONS TOWARD FILM ACCEPTED

Please join the Brooklyn Rail and UnionDocs for a collaborative (yet structured) event about the feature documentary in-progress: 99% - The Occupy Wall Street Collaborative Film.  The event will consist of a screening of material followed by a moderated Q&A with both NYC-based participating filmmakers and contributors across the U.S. via Skype about the opportunities and challenges in making a collaborative documentary about a current event.  It will then be opened to questions from the audience followed by an informal reception. Space is limited so please arrive promptly.

The Rail's Williams Cole will introduce and the Q&A will be moderated by Christopher Campbell, film critic for the Documentary Channel, IndieWIRE, and Movies.com, where he writes the bi-weekly Doc Talk column.

99% - The Occupy Wall Street Collaborative Film is a feature documentary film spearheaded by over 50 independent filmmakers, photographers, and videographers across the country. The end product will be a compelling, cinematic, resonant, and honest portrait of the Occupy Wall Street movement. Founded by NYC filmmakers Audrey Ewell and Aaron Aites, the project currently counts among its collaborative many award-winning documentary producers, directors, musicians, and editors (as well as PR people and distributors) including Michael Galinsky and Suki Hawley (Battle for Brooklyn, Horns and Halos), Ava DuVernay (distributor of independent black films via AFFRM, director/producer I Will Follow), Aaron Yanes as supervising editor (a frequent Barry Levinson editor, he's also edited many award-winning features and documentaries, from Sundance Grand Jury Prize winner Padre Nuestro to James Toback's Cannes prize-winning Tyson), Tyler Brodie (Another Earth, Terri), Bob Ray (Total Badass), and many more.

SPACE IS LIMITED. PLEASE ARRIVE PROMPTLY.

Thursday
Oct272011

16 Beaver [10.28.11]

Friday - 10.28.11 – Occupation: Calls and Responses

Contents:
1. About this Friday
2. A call
3. A note on the format
4. Links

__________________________________________________
1. About this Friday

What: Presentations and discussion
When: Friday -- 10.28.11 @ 7:00PM
Where: 16 Beaver Street, 4th Floor
Who: Free and open to all

As Occupy Wall Street stretches into its sixth week and spreads across the
globe, a variety of questions have emerged about the directions it can
take.

What are the modes in which artists and cultural workers have contributed
or could imagine contributing to the ongoing occupation(s)? What
situations or processes can be constructed (collectively)?

As people form affinity groups and begin to find experiences of a unitary
time, what new forms of life are potentially emerging? What kinds of
actions and infrastructures could support generalizing and supporting the
reproduction of such forms of life or culture?

If one of the strengths of this emergent movement is its ability to embody
a different politics, what kinds of consequences does it have in the
sphere of culture? How might the know-how and know-what of architects,
artists, filmmakers, writers, thinkers, teachers, and students contribute
toward the development of a new political culture / movement?

We would like to use the space this Friday evening to consider some of
these different approaches and imagine together potential ways in which
these processes can be intensified.

Aside from the risks of any police actions, are the risks of certain
normalizing processes entering, which risk delimiting the potential growth
and experimentation inherent in this process? And at what stage and in
what manner do we implicate (occupy?) the institutions (from universities
to museums) which have assumed (often uncritically) the same neoliberal
values, measures and cultures which have produced this crisis?

Of course, there is already an aesthetic dimension to the ongoing
occupation, one that links bodies laying claim to the space of the street,
with images and sounds of those bodies transmitted across the planet.
Moreover, artists and cultural workers have participated in organization,
planning, logistics, and practice of the occupation in varied ways. From
working inside the various work groups of the general assembly, to others
who have contributed with ‘protest art’ of slogans, chants, signs,
puppets, music, screenings, programming, hacking, diverse interventions,
teach-ins, performances, acts of civil disobedience, and audio-video
documentation of all of the above.

While acknowledging the importance of these manifestations, and wanting to
see and hear more of them, we also wonder what ways can our particular
know-how be elaborated at this juncture? What else can be made visible,
audible, legible?

What we want to do is give space to consider and bring various positions
and proposals together in one room. The hope is to create a space oriented
toward amelioration and development of actions, new uses of this context,
development of new proposals, rather than appearing smart or right or
taking the position of a spectator (however emancipated).

__________________________________________________
2. A call

Bring proposals, sketches, ideas for actions, events, words, images,
demonstrations, both possible and impossible. Share reports or
documentation of things that have happened, may have happened, failed, or
could be done.

________________________________________________
3. A note on the format

Everyone is welcome to come and to contribute to discussion.

For those interested in presenting, a computer and projector will be
available to amplify sound and show images. In order to speed up
transitions between presenters, interested contributors are encouraged to
submit materials in advance via file-sharing services (dropbox, yousendit,
etc.). Please send a link to the materials to the following email address:

16beaversubmit@gmail.com

Those who are not able to submit materials in advance are still invited to
bring them on Friday, but also encouraged to arrive a bit early.

Please anticipate short presentations, approximately 5-7 minutes each. We
will try to adjust the timing of the presentations (shorter or longer) to
accommodate the number of respondents.

__________________________________________________
4. Links

NYC General Assembly: http://nycga.net/
NYCGA Arts & Culture working group:
http://www.nycga.net/groups/arts-and-culture/
NYCGA Direct Action working group:
http://www.nycga.net/groups/direct-action/
NYCGA Media working group: http://www.nycga.net/groups/media/

Occupy Wall Street: http://occupywallst.org/

Global Revolution: http://www.livestream.com/globalrevolution

Franco Berardi & Geert Lovink
"A Call to the Army of Love and to the Army of Software"
http://networkcultures.org/wpmu/geert/2011/10/12/franco-berardi-geert-lovink-a-call-to-the-army-of-love-and-to-the-army-of-software/

And And And
"Letter To the General Assembly and Affinity Groups of Occupy Wall Street"
http://andandand.org/event10_letter_to_ows.pdf

__________________________________________________
16 Beaver Group
16 Beaver Street, 4th fl.
New York, NY 10004

for directions/subscriptions/info visit:
http://www.16beavergroup.org

TRAINS:
4,5 -- Bowling Green
2,3 -- Wall Street
J,Z -- Broad Street
R -- Whitehall
1 -- South Ferry



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