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The Occupy with Art blog provides updates on projects in progress, opinion articles about art-related issues and OWS, useful tools built by artists for the movement, new features on the website, and requests for assistance. To submit a post, contact us at occupationalartschool(at)gmail(dot)com .

Entries in activism (56)

Friday
Dec162011

Arts & Labor Informal Discussion: Thinking Through Collectivity

 

Hanns Eisler Nail Salon

Arts & Labor is a working group founded in conjunction with the New York General Assembly for Occupy Wall Street. We are artists and interns, writers and educators, art handlers and designers, administrators, curators, assistants, and students. We are all art workers and members of the 99%. Arts & Labor is dedicated to exposing and rectifying economic inequalities and exploitative working conditions in our fields through direct action and educational initiatives. By forging coalitions, fighting for fair labor practices, and re-imagining the structures and institutions that frame our work, Arts & Labor aims to achieve parity for every member of the 99%

Arts & Labor Informal Discussion: Thinking Through Collectivity

When: Friday, December 16th, 7:30-9PM

Where: H.E.N.S. (Hanns Eisler Nail Salon Gallery/Solidarity Center)

Southwest Corner of Bergen and 3rd Avenue

Directions: H.E.N.S.  is located 3 blocks from the 2,3,4,5,B,Q,D,M,N,R stop at Atlantic/Pacific Ave. or 4 blocks from the A,C,G train to Hoyt/Schermerhorn. (It is a gallery with glass windows).

PLEASE JOIN ARTS & LABOR FOR AN OPEN, UNSTRUCTURED DISCUSSION at 7:30PM:

What are the challenges of maintaining one’s place in the “real world” vs. striving for the utopian goals of OWS? 

What are the challenges of maintaining the concerns of the singular/particularistic within the framework of the collective embodied in the GA model? 

How is curatorial practice implicated in perpetuating the 1%?

Is the notion of “singular authorship” incompatible with a notion of a politically engaged art activism?

What is the “turning point” at which an artist leaves their studio practice and makes activism their main focus? Is this a false dichotomy? Can studio practice ever be activism? Have we all reached that turning point?

Is it necessary to share our personal histories in order to effectively organize together? How do we define efficacity, and is that our highest goal?

OWS Temporality: because time moves so fast within the landscape of OWS, and within the space of a week an entirely new situation on the ground may transpire, how does this effect our process and thinking within OWS?

The above is but a provisional sampling. To see the full list of questions compiled by Arts and Labor Members, join our discussion list at ows-arts-and-labor@googlegroups.com!

After the informal discussion, join us for a potluck and Holiday Party from 9 to 12AM as we make banners and signs for D17!

Cam-vid by Jim Costanza

Monday
Dec052011

Occupy Museums & Occupy 477 Stand against Foreclosures - Dec 6, 2011

477 W. 142nd Street is a landmark building on Alexander Hamilton's former estate. The building has served for decades as a residence for low-income families and been a key site of the black community in New York City. The house is currently facing foreclosure by Madison Park Investors LLC and E.R. Holding. Brutal tactics have been used to try and force residents out, including the sabotage of the building's boiler as the winter months approach.

December 6th marks the international day of action for Occupy Wall Street against the foreclosures led by the 1%. On this historic day Occupy 477 and Occupy Museums join forces to stand against gentrification and stand up for the right to housing for all!

It just so happens that The Museum of Finance on Wall Street is housed in the former headquarters of the Bank of New York, founded by Alexander Hamilton—America's first Secretary of the Treasury. Hamilton created the country's financial system. On December 6th, we will march a replica of 477 W. 142nd Street to the Museum of American Finance, and offer it as an exhibit of the damaging effects of Wall Street’s financial system on American’s everyday lives.

December 6th
12:00 PM ----Meet at 477 West 142nd st. HDFC
3:00 PM----Arrive at Museum of American Finance, 48 Wall Street, New York

Click to read more ...

Tuesday
Nov222011

WOMAN LOSES JOB FOR BLOOMBERG/WARLORD COMPARISON

FROM YESLAB:


"Bloomberg rep" fired from market research firm for performance highlighting absent mayor's violent tactics...

An actress who played a Bloomberg representative in a satirical performance a block away from the mayor's E. 79th St. residence this past Sunday was fired from her job as an independent contractor at a market research consulting firm.

"They said my performance had put the company in an uncomfortable position," said Mary Notari, who learned of her firing from a phone call Monday afternoon. "The mayor has said ‘No right is absolute’—including, apparently, the right to poke fun at him for using violent force against his own people and for bending the law to do so.”

Click to read more ...

Saturday
Nov192011

SUNDAY, 11/20: Yes Men lab drum circle at Bloomberg's personal townhouse: 17 East 79th Street.

Massive 24-hour DRUM CIRCLE and JAM SESSION party starting tomorrow, Sunday at 2pm, outside Mayor Bloomberg's personal townhouse: 17 East 79th Street.

Tie-dye, didgeridoo, hackeysack welcome! No shirt, no shoes, no problem! And if you don't have talent, don't worry: FREE DRUM LESSONS offered! Also on offer: collaborative drumming with the police!

Even though this is a 24-hour drum circle, don't be late! The mayor loves evictions. Who knows what'll happen? In any case, there'll be an afterparty in world-famous Central Park right afterwards.

Please spread this announcement (www.yeslab.org/drumcircle) as far and fast as you can!

Saturday
Nov192011

Occupy Yourself

Occupy Yourself… We are living Installations

The Movie

Michael Alan 

In solidarity with the occupation of Liberty Square

AT Judson Church entrance  

55 Washington Square South

Saturday, November 19th, 7pm till 10pmish

Free

 

a film about change, the limits of freedom, and an attack on fear. Working with the human body, metamorphosing into a living breathing installation that demonstrates we can withstand anything put onto us. Through intricate connections and juxtapositions in the guise of random chaos, these living installations transcend the injustices of the material world by employing these same materials upside down. We are more than property. We are more than buildings. We are part of Life. Living, breathing potential fire. With the ability to do anything. This is about people, not about businesses, faceless corporations or technology.

 

Through the simplest materials mixed and smashed, masks, multiple textures, stolen objects, and cut-up drawings rearranged artist Michael Alan adds on to his team of friends, and family. These fearless art activists armed, activated Glue-sprayed flesh joins together, splattered to combine into one boundless, self-aware living work of awarness. This artistic expression is in direct response to the confusing, uncertain and downtrodden world we all seem to experience. Occupy Yourself is a call to all individuals to become aware that limits are self-imposed and can be changed by going beyond barriers, thinking outside what you what should do, and joining together to overcome our imagined adversaries.

 

Action

OccupyYourself the movie will project on the Church entrance of Judson, were the political asylum is being held for the occupiers. Project it onto the entrance, then repeat and project many times, giving positive messages throughout the night to whoever shows. Everyone is asked to meet at 7pm at entrance of the church for a night of peace, and positive celebration of life. 

 

Michael Alan, Garry Boake, in solidarity with the Occupation of Liberty Square invite you for a night of Old time projection, awareness, and fun.This is a peace full action symbolizing Freedom and a pause in time, a new start, The entrance of the church represents a new beginning. OccupyYourself, Live Now, lets all get activated. Projection on the streets is a way to speak to the world around you. 

 

Cast and crew:  Garry Boake, Dave Modello, Theresa Magario ™, Michael Alan

Steev Perez, Raquel Mavecq, Kim De'ville, Kenny Scharf, Worm Carnevale, Teddi Rogers, Raquel Echanique, Dylan Morgan, Dave1,

Jarvis Jun Earnshaw, Emil BN,  George Marango, Nick Greenwald, Ana Andrade,  Julie Turner and many more

 

 



Tuesday
Nov152011

NYCGA ARTS & CULTURE IN ACTION

THIS IS WHAT A 1% POLICE STATE LOOKS LIKE!

See more images HERE at the Facing Change blog.

Tuesday
Nov152011

ATTN: 100,000 NYC ARTISTS!!

Tuesday
Nov082011

This Wednesday Occupy Museums once again stands in solidarity with the art handlers at Local 814 who have been locked out of their jobs for three months. Despite pulling in record profits last year, Sotheby's is demanding wage and benefit cuts and has hired unskilled replacement art handlers at a lower wage. The union has stood vigilant on the picket lines against these injustices for twelve weeks, but are still without a fair contract. Join us Wednesday November 9th, on the picket line outside of Sotheby's contemporary art auction to show your support and solidarity for Teamsters Local 814!

Schedule of Events:

Wednesday November 9th, 2011

4PM Meet in Liberty Park

4:45 Occupy the Subway

5:30 Meet with Teamsters Local 814 and Hunter College Students and March to Sotheby's!

Thursday
Oct272011

OCCUPY MUSEUMS [2] TODAY!

This Thursday 10/27/11, Occupy Museums returns to MoMA!


Meet at 2:30 PM, Liberty Square, for an information-sharing assembly (under red sculpture) OR meet at 4:00 PM at MoMA.


We will be joined by the Art Handler’s Union, Teamsters Local 814, who have been locked out of their Sotheby’s union jobs for over three months now. Following Occupy Museums, we will march to the Teamsters’ picket line at the Sotheby’s evening auction, which starts at 6:00 PM on 1334 York Avenue.


Occupy Museums and the Teamsters Local 814 stand together in solidarity!


Please join us and to bring your own manifestos (BYOM), to read in the General Assembly at the doors of the museum! Please keep them short- 3 minutes max so that everyone can participate. For this action
we are moving away from the voice of a sole author to a collective voice. We welcome all to be part of our assembly and let your voices be heard!


What is Occupy Museums?


We are artists, art lovers, and art workers! We live and love art and are committed to its growth. However, we see many museums in their current manifestations as key elements of a larger system whose funding structure and relationship to the market, disempowers artists, and alienates art from the 99%. Value is manufactured by false scarcity, propped up by the cult of celebrity and the parlor game of speculation. This undermines the potential power of art to be a much greater force in our society.


We believe that to Occupy is to claim space for dialog and transparency through the physical presence of our bodies. It is to hold space that was previously inaccessible. As Occupiers, we bring the General Assembly to the doors of the museum, to engage in a dialog about the relationships between the arts and capitalism.
This is only the beginning.


At its core, the Occupy Movement is about imagining and building a just and democratic future. It is generative not destructive. We are shifting collective consciousness. We are here to envision what the museum can be, what art can be, and how we can create a society that works for the 100%.

Schedule:
2:30 -- Informational assembly at Liberty Square
3:15 -- Occupy 4 train to MoMA
4:00 -- General Assembly at MoMA!
5:00 – March or M31 Bus to Sotheby’s at 1334 York Avenue
5:30 -- Stand in Solidarity with Teamsters Local 814


twitter: #occupymuseums

CLICK THE OM LOGO AT THE TOP OF THE POST TO READ THE NEW ARTINFO ESSAY BY BEN DAVIS, "Why I Support the Occupy Museums Protesters, and Why You Should Too."

 

CLICK THE IMAGE TO GET MORE INFO AT THE OCCUPY MUSEUMS FACEBOOK PAGE.

Wednesday
Oct262011

Occupy Halloween Flyers

AVAILABLE SOON IN THE OCCUPENNIAL OCCUGANDA DOWNLOADS SECTION

Saturday
Oct222011

Occupy Halloween: How to participate

Occupy Wall St. has been invited to join the largest public halloween parade in the nation!

They are going to give us a great spot and support our participation in the parade. Occupation Accomplished!

Last year over 60,000 people showed up and it was widely covered in the media, both in NYC and globally. So it's up to us to show the world what our movement is about. The whole world is watching!

TIME:  5:00 pm Meet-up. Parade begins 6:30. 

LOCATION: Parade begins at Spring St. and 6th Ave. We will meet up nearby to gather our forces before we march. Check back soon for the exact location.

MARCH ORGANIZATION:

In line with our movement's principles, we are asking people to step forward and self-organize their own costume blocs. If you are more than 30 people or so, consider having your own banner. We will all march together in our own #OccupyHalloween section of the parade.

BLOCS

We encourage you to find others doing similar themes and connect, so you can work together as a bloc. You can also contact us at occupyhalloween@gmail.com so we can help support you in this. 

Themed Blocs may include...

Wall St. Zombie Bloc

Corporate Vampire Bloc

Superhero Bloc

V-mask Bloc

Music Blocs (Marching bands, drummers, etcs)

Or whatever you want to do!

FREE FOR ALL SECTION

For those of us who do not have a bloc, we will all be marching together in the giant "Free for All' section. That will probably be most of us. Let's make it huge!

A NOTE ON MESSAGING

This is not only a chance to celebrate (which we deserve!) but also an amazing opportunity to express our message to the larger public, both in NYC and the entire world. So consider taking the following costuming tips in order to maximize your message. 

PARTICIPATE

We still need help building puppets and costumes, as well as with materials and supplies. To join in, go here.

 

For much more information, please visit the Occupy Halloween website

Thursday
Oct202011

Occupy Sotheby's!

Rally at Sotheby’s Thursday, Oct. 20 @ 1:30pm 1334 York Ave (b/w 71st & 72nd)
6 train to 68th St.-Hunter College
Leave directly from #OccupyWallSt!
Buses depart from Liberty Pl b/w Trinity and Broadway at 1 PM!


Things are peachy for the 1%. Sotheby’s made $680 million in 2010 and gave their CEO a 125% raise—he makes $60,000 a day. 
Not so for the 99%. Sotheby’s demanded concessions from their workers and then locked them out of work. The workers have been locked out for 11 weeks.

Come support the locked-out workers.
Tell the 1%: STOP CORPORATE GREED
Keep in touch with our campaign. Text 917-657-7890 with your email to get added to our mailing list and receive updates on where the campaign is going. 
Sponsored by OWS Labor Committee: owsnyclabor@gmail.com



Wednesday
Oct192011

OCCUPY MUSEUMS!

occupy wallstreet coin face

The game is up: we see through the pyramid schemes of the temples of cultural elitism controlled by the 1%. No longer will we, the artists of the 99%, allow ourselves to be tricked into accepting a corrupt hierarchical system based on false scarcity and propaganda concerning absurd elevation of one individual genius over another human being for the monetary gain of the elitest of elite. For the past decade and more, artists and art lovers have been the victims of the intense commercialization and co-optation or art. We recognize that art is for everyone, across all classes and cultures and communities. We believe that the Occupy Wall Street Movement will awaken a consciousness that art can bring people together rather than divide them apart as the art world does in our current time…

Let’s be clear. Recently, we have witnessed the absolute equation of art with capital. The members of museum boards mount shows by living or dead artists whom they collect like bundles of packaged debt. Shows mounted by museums are meant to inflate these markets. They are playing with the fire of the art historical cannon while seeing only dancing dollar signs. The wide acceptance of cultural authority of leading museums have made these beloved institutions into corrupt ratings agencies or investment banking houses- stamping their authority and approval on flimsy corporate art and fraudulent deals.

For the last few decades, voices of dissent have been silenced by a fearful survivalist atmosphere and the hush hush of BIG money. To really critique institutions, to raise one’s voice about the disgusting excessive parties and spectacularly out of touch auctions of the art world while the rest of the country suffers and tightens its belt was widely considered to be bitter, angry, uncool. Such a critic was a sore loser. It is time to end that silence not in bitterness, but in strength and love! Because the occupation has already begun and the creativity and power of the people has awoken! The Occupywallstreet Movement will bring forth an era of new art, true experimentation outside the narrow parameters set by the market. Museums, open your mind and your heart! Art is for everyone! The people are at your door!

Dear Occupiers,

Since I posted Occupy Museums yesterday on FB, it's going quite viral on the internet. There is lots of discussion about what it means, whether it's a good idea what museums are doing for the 99% and the 1%.

These discussions, I feel, are really good ones to be having in the context of Occupy Wall Street, because this movement is about changing how we do things in this country from finance to culture- moving away from a culture that mainly benefits the 1%


I'll need help in planning this action tomorrow. Since it was supported by the A & C, I'd like to make sure that this action comes from the heart of our movement. Who would like to be a part of the historic first Occupation of MoMA of 2011?


My idea is that artist and everyone occupies museums together, bringing your artworks as well as OWS signs in protest. I'll bring my coin mask for example. We meet at 3:00 at 60 wall street for a short teach-in, then head over to touch base with the park, maybe doing a people's mic to get more peopleto join us.  Once at the Museums, we'll have a short GA with an opening statement, then people can get on stack and speak out their mind using people's mic.


Here are things we'll need:

-a one page info sheet about how museums generally and the ones we are going to specifically are pyramid schemes of the 1%  Paul- you wrote an email that has lots of info..I have turned it into a shared google Doc called Occupy Museums-someone to handle the twitter feed-OWS press -everyone bring a piece of their art to proudly display

Day 1: Revised  Schedule:

3:00 Meet at Liberty Park

Teach-in about the museums we are going to occupy

 

4:30 Livestream- read document in front of 5000 viewers.

 

Occupy the 4 train

 

5:00 Occupy MoMA

hours: 10:30-5:30

11 W 53rd street New York, NY

 

Occupy the M3 Bus

 

6:00 Occupy Frick Collection

hours: 10:00-6 PM       

1 East 70th Street, New York, NY

 

Occupy the 6 train

 

7:00 Occupy New Museum

Thursdays 6-8 free 

235 bowery



Wednesday
Oct122011

Occupy Museums!

On Wed, Oct 12, 2011 at 1:15 PM, Noah Fischer <fischer.noah@gmail.com> wrote:

 

Occupy Museums!

Let’s dance in front of the Cannons

and tell the cultural pyramids:

You are NOT our MoMA!

I know that many people have been thinking in this direction and I’d like to add my voice.  It just might be time to band together And do some museum hopping! We'll state loud and clear and publically that the game is up: we see through the pyramid schemes that museums have set up whereby the 1% sit on boards and presume to speak with cultural authority while increasing the profit margins of their private collections. They have disempowering the hundreds of thousands of living artists - the 99% through rarified gatekeeping that has directly equated art with Wall Street capital- with all of the same shady business and BS hierarchy!!!  

As long as we accept the authority of these oppressive cannons, I’m not sure we can move forward with new aesthetics and movements:  art that is truly by and for everyone!  Art that isn’t rehashed and boring and pre-packaged and dead on arrival! Art that is alive! Art that is powerful! I think it would be wonderful to give the museums notice of the impending paradigm shift. Some serious truth to power, playfulness, and mockery is in order!

-Explaining Art to a Dead Museum.

-Reading the GA statement or A & C statement or autonomous statements in front of the Frick, using people’s mic.

-etc etc.

-etc. 

There are many museum nights in New York with long lines, which may be fruitful audiences. We can also go inside and play.

So I propose Occupy Museums next week- Thursday afternoon and evening. I’ll bring this up at an A & C meeting beforehand.

A couple Museums to Occupy:

-New Museum: Showcased Dakis Joannou’s personal collection, bumping up auction prices: use and abuse of the whole concept of “public” for personal profits. Dis-gusting!

-Frick Collection: dedicated to a long term PR campaign for the one of the “Worst American CEOs of All time.” Whose draconian policies included murdering workers striking against unhuman working conditions. We say- what the Frick is going on here! 

It’s easy to do research on these museums and who is standing behind them:

http://www.moma.org/about/trustees

 

Noah



Sunday
Oct092011

The Skadden Protest - The Beef

Your Name: Jason Flores-Williams
Your Email: Jasonflores_williams@hotmail.com
Subject: The Skadden Protest - The Beef
Message: Hi - I'm seeking artists to help me with visuals on this. Thanks, Jason

I'm closing down the law firm here in Santa Fe for a week and flying out to NYC on Thursday the 13th to sleep five days at Z park and write about Occupy Wall Street for the Brooklyn Rail.

I won't describe the following as a "protest" as much as it is a Personal Beef. But it's got to get done. Basically, we're gonna get it on cuz we don't get along.

The one group that's gotten a free pass in all of this is the corporate lawyers. These bastards made billions of dollars in billable hours off the direct infliction on pain, suffering and humiliation of the middle classes and the working poor. These guys were the true bullies. I saw it day after day in court - these lawyers pounding people into the ground with incompreheinsible motions, arguments, legal tricks without any concern for the ethics, morality or basic human decency. They were arrogant while they took people's homes, destroyed families and ripped apart lives. I wrote an article about it that ran here in SF and in the Rail and in a couple other spots:

http://www.santafenewmexican.com/LocalColumnsViewpoints/My-View--Jason-Flores-Williams-Law-firms-took-advantage-of-hous

And of all the law firms in American who act as the thug enforcers for Wall Street, it is Skadden Arps in Manhattan that is the ne plus ultra of nerd bullydom. I have friends from law school who work there who are nice people one on one, but who in the end are part of a legal machine that destroys human beings and maintains a system of sickening injustice.

I have duked it out with these bastards again and again, trying to keep people from being thrown out onto the streets. But in the end, when BofA is paying these guys $650 an hour to drown the court in paperwork and I'm standing there for free, there's just no way to keep up. It's starting off the game down 55 to nothing.

So, on Friday the 14th at 11:00 am, I am going to the Skadden Arps headquarters in Times Square and let me them know that one little small timer from NM knows how disgusting they are. I'm going to read a variation of that piece, another piece, and then deliver the closing argument that I always wanted to hit them with, but could never get to because they would always win on procedural grounds and summary judgment. I'm going to stand in front of their main doors and let them have it, then get back to Z Park. Here's where they are:

http://www.skadden.com/index.cfm?contentID=49&officeID=1

If you can make it, it's always better to be with people - and we'll go for scones after.

Jason Flores-Williams, Esq.

Nb. I wrote this in the past tense, but the foreclosures and insane debt collections and law suits for attorneys fees are happening with even greater ferocity today.



Saturday
Oct082011

Brian Holmes at #OWS and 16 Beaver St.

Sunday -- 10.09.11 -- Notes on Three Crises -- Brian Holmes

CONTENTS:
1. About this Sunday
2. Three Crises: 30s-70s-Today : the Concept
3. Three Crises: 30s-70s-Today : Chicago Sessions
4. Some questions to discuss on Sunday
5. Links

__________________________________________________
1. About this Sunday

What: Three Crises Notes
When: Sunday -- 10.09.11 @ 8:00PM
Where: 16 Beaver Street, 4th Floor
Who: Free and open to all

On Saturday 10.08.11 evening at 6pm. Brian Holmes will be giving a talk at Liberty Park on "The End of the Financial Mind and the Transformation of Global Class Structure."

We would like to invite you the following night (Sunday) to 16 Beaver. Since our last conversation this summer, we have been contemplating to organize an intensive meeting together with Brian related to three historic crises. In the 30s, the 70s and today.

So much of this work Brian has been doing is precisely to understand the crises in our midst and the challenges it poses on the level of organizing ourselves to combat them.

The aim is to take a closer look at two turning points of economic and social history, to find out where we’ve been and what we have become as the United States and the world traverse a third major crisis. To grasp what’s happening before our eyes, and to gain some influence over the new forms of society that will emerge over the next decade.

We would like to take the occasion of his presence here in New York to think together this possibility in the form of an open discussion.

Below, we have some basic outline of the seminar he has been organizing with friends in Chicago at Mess Hall.

We will begin the evening in the structure of questions and answers. We formulated some questions below, which Brian will try to address directly, after which we can open up to a common conversation and touch more closely issues related to the occupation and the challenges for this movement.

__________________________________________________
2. Three Crises: 30s-70s-Today : the Concept

The development of capitalism is marked, every thirty or forty years, by the eruption of extended economic crises that restructure the entire system in organizational, technological, financial and geopolitical terms, while also affecting daily life and commonly held values and attitudes. In the course of these crises, conditions of exploitation and domination are challenged by grassroots and anti-systemic movements, with major opportunities for positive change. However, each historical crisis has also elicited an elite response, stabilizing the worldwide capitalist system on the basis of a new integration/repression of classes, interest groups, genders and minority populations (whose definition, composition and character also change with the times). In the United States, because of its leading position within twentieth-century capitalism, the domestic resolution of each of the previous two crises has helped to restructure not only national social relations, but also the international political-economic order. And each time, progressive demands that emerged from the crisis period have been transformed into ideologies covering a new structure of inequality and oppression. By examining the crises of the 1930s and the 1970s along with the top-down responses and the resulting hegemonic compromises, we will cut through the inherited ideological confusions, gain insight into our own positions within neoliberal society, identify the elite projects on the horizon and begin to formulate our own possible agency during the upcoming period of instability and chaos.

__________________________________________________
3. Some questions to discuss on Sunday

1. What brought you thinking about these crises?

2. What is a common ground between the three?

3. What distinguishes the current one we are living through?

4. The question of forms of resistance and organization and of conflictual interests also come to the fore. Has your research also delved into the processes of resistance in these prior crises?

5. If some contours emerge in this archeology of the last crises, what kind of problems become discernible for social movements?

6. There is a geneological moment in every archeological effort, putting the subjugated knowledges into play, in a contemporary light. Given this molecular process unfolding in our midst, could the work you are doing cast a light for the kinds of work that will need to be done for this resistance not to suffer the same fate as in the 70's which gave rise to neoliberalism?

7. In a recent text about the contemporary crisis, by Michael Hardt entitled 'The Two Faces of the Apocalypse', he plots out the centrality of the commons, both in an ecological sense and in terms of production in a post-fordist society today. And there he also outlines some of the commonalities and antinomies between these movements. And one of these antinomies returns to the question of organization. On the one hand, the urgencies confronted by ecological ruin, require urgent action, which could be facilitated by larger forms of organization. On the other, so much of the anti-capitalist struggle for the social-economic commons has struggled for a basic change in the forms of organization. And forms like the general assembly that is being experimented with in wall street or various councils formed in the context of the north african revolts, require time, are slow, and work best when smaller, more accountable, and direct. Can our urgent questions be addressed without sacrificing the necessary struggles for autonomy and greater self-organization? Can we avert a capitalist or statist appropriation of the discourse around and struggle for the dual senses of commons?

__________________________________________________
4. Three Crises: 30s-70s-Today : Chicago Sessions

Description of the sessions from the self-organized seminar at Mess Hall in Chicago

1. Introduction: technopolitical paradigms, crisis, and the formation of new hegemonies.

We begin with a theoretical look at more-or-less coherent periods of capitalist development, known as technopolitical paradigms. During twenty to thirty-year periods, technologies, organizational forms, national institutions and global economic and military agreements all find a working fit that allows for growth and expansion, up to a limit-point where the paradigm begins to encounter conditions of stagnation, internal contradiction and increasing crisis. Autonomist Marxism helps us understand the dynamics of grassroots protagonism during the crisis periods. To grasp the mechanisms whereby systemic order is recreated, we turn to Antonio Gramsci’s notion of hegemony as the construction of a set of discourses and practices that can articulate the behaviors of diverse classes and interest groups, in order to secure their consent to a new social hierarchy. The ingredients of a hegemony are moral, aesthetic, philosophical and epistemological; but these abstract categories of thought and imagination soon become intertwined with economic practices and institutional forms. Hegemony is the force of desire and belief that knits a paradigm together and sustains it despite manifest injustices.

2.Working-class movements and the socialist challenge during the Great Depression.

This session describes the emergence of Fordist-Taylorist mass production in the United States, then turns to economic and geopolitical conditions following the Crash of ‘29. We follow the interaction between labor movements and socialist/communist doctrines, while examining the major institutional innovations of the Roosevelt administration. Can the 1930s be understood as a “regulation crisis” of assembly-line mass production? What are the forces that provoked the crisis? Has the “New Deal” become an idealized figure of class compromise for succeeding generations? What does it cover over?

3. The Council on Foreign Relations during WWII and the US version of Keynesian Fordism.

Only after 1938 was the economic crisis resolved through the state orchestration of innovation and production, effected by wartime institutions. Corporate leaders from the Council on Foreign Relations were directly inducted to the Roosevelt government and planned the postwar monetary and free-trade order enshrined in the Bretton-Woods agreements. How was the intense labor militancy of the 1930s absorbed into the Cold War domestic balance? To what extent did the American experience shape the industrial boom in the Keynesian social democracies of Western Europe and Japan? How were the industrial welfare states supported and enabled by neocolonial trade relations and resource extraction?

4. The ‘60s revolts, Third-World self-assertion, stagflation and the monetary chaos of the ‘70s.

The brief convergence of labor movements, student revolts and minority rights campaigns in 1968 was a global phenomenon, spurred on by Third World liberation and the struggle in Vietnam. Wildcat strikes, entitlement claims and the political imposition of higher resource prices (notably by OPEC) were all key factors in the long stagnation of the 1970s. We examine the breakdown of Bretton-Woods and the conquest of relative autonomy by Western Europe and Japan, along with the Third World push for a New International Economic Order. Does the US internalize global economic and social contradictions during this period? Which aspects of the social and cultural revolts posed real obstacles to the existing economic structure? Which ones became raw materials for the formation of a new hegemonic compromise?

5. The Trilateral Commission and the transnational hegemony of Neoliberal Informationalism.

The launch of the Trilateral Commission by Nelson Rockefeller and Zbigniew Brzezinski in 1973 is an elite response to the crisis, with concrete political effects: some twenty members of the Commission were named to the Carter administration in 1976. During the decade the coming of “postindustrial society” was announced by sociology, while technoscientific innovations like the microprocessor went into production. Cooperation among trilateral elites was paralleled by financialization, the rise of networks, the creation of transnational futures and options exchanges, etc. However, the Treasury-induced US recession of 1980-82, the “Star Wars” military buildup and the emergence of a new innovation system are specifically American contributions to the new technopolitical paradigm that takes shape in the US in the 1980s, before going global after 1989. What are the defining features of Neoliberal Informationalism? Who are its beneficiaries – and losers? How is the geography of capitalist accumulation transformed by the new hegemony? What sort of commodity is transmitted over the electronic networks? And what does it mean to be a consenting “citizen” of the trilateral state-system?

6. BRIC countries, counter-globalization, Latin American and Middle Eastern social movements.

With the breakdown of the USSR in 1989, followed by the first Gulf War, the world-space is opened up for transformation by the trilateral economic system. The 1990s witnesses the largest capitalist expansion since the postwar industrial boom. It was supposed to be the “end of history” and the universal triumph of liberal democracy – but that soon hit the dustbin. After tracking the expansion of trilateral capitalism we focus on the economic rise of the Gulf states and the BRIC countries (Brazil, Russia, India, China), as well as the political currents of the counter-globalization movements, Salafi Jihad, Latin American Leftism and finally, the Arab Springtime. Do these diverse economic and political assertions mark the end of the trilateral hegemony and the reemergence of a multipolar order?

7. Financial crisis, climate change and elite attempts to stabilize Neoliberal Informationalism.

Here we will examine the inherently volatile dynamics of the informational economy, culminating in the Asian crisis of 1997-98, the dot-com bust of 2000 and finally, the credit crunch of 2008 and the ongoing fiscal crisis of the neoliberal state. Little has been done in the United States to control financial capital, but the debt crisis has massively punished the lower ranks of society and seriously eroded the status of the middle classes, with a major attack on the public university system and a move to cut all remaining welfare-state entitlements. What is the significance of the bailout programs? How have the European Union and Japan faced the crisis? What paths have been taken by the Gulf states, and above all, by China? Do we see the beginnings of new alliances among international elites, outside the traditional arenas of trilateral negotiation?

8. Perspectives for egalitarian and ecological social change in the upcoming decade.

In the absence of meaningful reform and redistribution, continued financial turmoil appears certain, along with a reorganization of the monetary-military order. Meanwhile, climate change is already upon us, advancing much faster than previously anticipated. The result of all this is unlikely to be business as usual. What we face is a triple crisis, economic, geopolitical and ecological, with consequences that cannot be predicted on the basis of past experience. Can we identify some of the central contradictions that will mark the upcoming years? Which institutions and social bargains have already come under severe stress? In what ways will the ecological crisis begin to produce political responses? How will class relations within the United States interact with crossborder and worldwide struggles? Is it possible to imagine a positive transformation of the current technopolitical paradigm?

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5. Links

The Three Crises Seminar at Mess Hall has further readings, texts and recordings.

http://messhall.org/?page_id=771


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